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Movie basic details
Current status - Released
Total runtime - 95 mins.
Release date - 04-12-1964
Release year - 1964
Genres - Drama, Romance
Overall ratings and scores for Une Femme Mariée:
Happiness Score - 7.016/10, World Popularity Score - 8.594/100, IMDB Score - 7.1, Metascore - N/A, Internet Movie Database - 7.1/10, Rotten Tomatoes - 85%, .
Une Femme Mariée movie has Total Global Votes - 95, Total IMD Votes - 3,895
Une Femme Mariée Movie Introduction: Movie Une Femme Mariée, release year 1964 is written by Jean-Luc Godard and directed by Jean-Luc Godard. The leading star-cast in this movie are Bernard Noël, Macha Méril, Philippe Leroy along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Anagha Shashank
Movie in-short: A superifical woman finds conflict choosing between her abusive husband and her vain lover.
Movie story-line: In an exploration of love and adultery, a woman is conflicted between her husband, her lover and herself.
Movie synopsis: Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her husband Pierre, a pilot. Her lover is Robert, an actor. Assignations with him, dinner with her husband and a client, consulting a physician: there's tension at home, Pierre had her followed a few months before, their marital play has an edge, Pierre slaps her and apologizes. She quizzes Robert: is he acting when he's with her? Events may force her to choose Robert or Pierre. Close-ups fill the screen; is there more than surface? Her eyes tear up. The horrors of war provide a distant counterpoint.
Highlights - Une Femme Mariée (1964)
Total budget - $120,000.00
Total revenue - $0.00
Produced by - Orsay FilmsAnouchka Films
Produced in - France
Available languages - French (Français),
Homepage URL -
Awards won / Nominations - 2 nominations
Certificate(s) -
Lead Actors, Writer(s), Director(s) of Une Femme Mariée (1964)
Lead Actors - Bernard Noël, Macha Méril, Philippe Leroy
Writer(s) - Jean-Luc Godard
Director(s) - Jean-Luc Godard
Frequently Asked Questions(FAQ) about Une Femme Mariée (1964)
What is the release date of Une Femme Mariée (1964)?
Release date of Une Femme Mariée (1964) is 04-12-1964.
What is the total runtime of Une Femme Mariée (1964) in minutes?
Total runtime of Une Femme Mariée (1964) in minutes is 94 min.
What is the budget consumed to produce Une Femme Mariée (1964) movie?
The budget consumed to produce Une Femme Mariée (1964) movie is around $120,000.00.
How much revenue is expected from movie Une Femme Mariée (1964)?
Expected revenue from movie movie Une Femme Mariée (1964) is around $0.00.
What is the pupularity of Une Femme Mariée (1964)?
Worldwide pupularity of Une Femme Mariée (1964) movie is 8.594%.
What is the name of the production company of film Une Femme Mariée (1964)?
Production company of film Une Femme Mariée (1964) is/are Orsay Films, Anouchka Films, .
Which country the film Une Femme Mariée (1964) is produced in?
Film production country for the film Une Femme Mariée (1964) is France, .
Which language the film Une Femme Mariée (1964) is produced in?
Film Une Femme Mariée (1964) is produced in French (Français), language(s).
Which Genre the film Une Femme Mariée (1964) belongs to?
Movie Une Femme Mariée (1964) is categorized under Drama, Romance genre(s).
Who are the lead actors of the film Une Femme Mariée (1964)?
Lead actors of the film Une Femme Mariée (1964) are Bernard Noël, Macha Méril, Philippe Leroy.
Who is the writer of the film Une Femme Mariée (1964)?
The writer(s) of the film Une Femme Mariée (1964) is/are Jean-Luc Godard.
Who is the director of the film Une Femme Mariée (1964)?
The director(s) of the film Une Femme Mariée (1964) is/are Jean-Luc Godard.
Which awards, nominations and recognitions are won by Une Femme Mariée (1964) movie?
Movie Une Femme Mariée (1964) has 2 nominations awards and nomination in it's profile.
What is the story of Une Femme Mariée (1964) in-short?
Short plot of movie Une Femme Mariée (1964): A superifical woman finds conflict choosing between her abusive husband and her vain lover..
What is the full story of Une Femme Mariée (1964) movie?
Full plot of movie Une Femme Mariée (1964): Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her husband Pierre, a pilot. Her lover is Robert, an actor. Assignations with him, dinner with her husband and a client, consulting a physician: there's tension at home, Pierre had her followed a few months before, their marital play has an edge, Pierre slaps her and apologizes. She quizzes Robert: is he acting when he's with her? Events may force her to choose Robert or Pierre. Close-ups fill the screen; is there more than surface? Her eyes tear up. The horrors of war provide a distant counterpoint..
Where to find full details of Une Femme Mariée (1964) movie?
You can find the full details of movie Une Femme Mariée (1964) at https://www.imdb.com/title/tt0058701
Where to stream or watch movie Une Femme Mariée (1964) online?
You can stream or watch online movie Une Femme Mariée (1964) on QubitTV, Apple iTunes, Globoplay, Oi Play, Telecine Play, MUBI, Canal+, Arte, Rakuten TV, Acontra Plus, Filmin, Orange VOD, Canal VOD, Bbox VOD, Universcine, Amazon Video, YouTube, Microsoft Store, Kino Now, Kanopy, .
List of full Starcast and crew members of Une Femme Mariée (1964)
Full Starcast:
Name: Macha Méril
Character: Charlotte
Name: Bernard Noël
Character: Robert, the Lover
Name: Philippe Leroy
Character: Pierre, the Husband
Name: Christophe Bourseiller
Character: Nicolas
Name: Roger Leenhardt
Character: Himself
Name: Margareth Clémenti
Character: Girl in Swimming Pool
Name: Véronique Duval
Character: Girl in Swimming Pool
Name: Rita Maiden
Character: Madame CelineName: Georges Liron
Character: The Physician
Name: Jean-Luc Godard
Character: The Narrator (voice) (uncredited)
Crew Members:
Name: Jean-Pierre Léaud
Department: Art
Job/Role: Assistant Art DirectorName: Jean-Pierre Léaud
Department: Directing
Job/Role: Assistant Director
Name: Agnès Guillemot
Department: Editing
Job/Role: EditorName: René Levert
Department: Sound
Job/Role: Sound
Name: Raoul Coutard
Department: Camera
Job/Role: Director of PhotographyName: Jacques Maumont
Department: Sound
Job/Role: SoundName: Jean-Luc Godard
Department: Writing
Job/Role: ScreenplayName: Jean-Luc Godard
Department: Directing
Job/Role: Director
Name: Antoine Bonfanti
Department: Sound
Job/Role: SoundName: Françoise Collin
Department: Editing
Job/Role: EditorName: Gérard Pollicand
Department: Editing
Job/Role: Editor
Name: Claude Nougaro
Department: Sound
Job/Role: Original Music ComposerName: Philippe Dussart
Department: Production
Job/Role: Production ManagerName: Maurice Urbain
Department: Production
Job/Role: Production ManagerName: Joseph Gerhard
Department: Art
Job/Role: Set DesignerName: Andrée Choty
Department: Editing
Job/Role: EditorName: Henri Nogaret
Department: Art
Job/Role: Production DesignName: Hélène Kalougine
Department: Directing
Job/Role: Assistant DirectorName: Claude Othnin-Girard
Department: Directing
Job/Role: Assistant Director
Movie Posters and Wallapapers - Une Femme Mariée (1964)
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Reviews Section
Jean-Luc Godard's eighth feature film, Une femme mariée (A Married Woman, 1964) is a tale of adultery. As it opens, we meet Charlotte (Macha Meril) at a tryst with her lover Robert (Bernard Noël). Though Robert tries to convince her to divorce her husband, the pilot Pierre (Philippe Leroy), Charlotte's loyalties remain divided. Godard labeled Une femme mariée not a "film" but rather "a collection of fragments from a film shot in 1964". However, this is much less avant-garde disjointed than one might expect. Godard chooses a fragment-based means of storytelling for the moments between Charlotte and her lover, presenting a sequence of brief dialogues between the lovers in rapid succession. Each of these self-encapsulated moments serves as another brick in the wall of what we know about the relationship. Such compressed storytelling manages to distill otherwise ineffable interpersonal dramas and feelings. The framing in the scenes between Charlotte and her lover is remarkable: close-up shots of their faces or limbs against featureless backgrounds. Generally the face of the person speaking is not shown and we hear only the words. But while there had already been myriad such tales of love triangles through the ages, this film offers something fresh by combining it with a critique of 1960s consumer society. The characters pepper their conversation with commercial jingles, parrot whole advertising texts, or recite factoids. In shots of home life, the latest fancy name-brand cleaning products and electronics are placed prominently in the frame. Charlotte and her maid read women's magazines and see whether they live up to the standards of beauty that the media prescribes. The Auschwitz trials were going on at the same time as shooting, and Godard chose to work references to this into the characters' conversations. In this way, he underscores how consumer society emphasizes thinking about the present, buying whatever is called must-have now, and thus discourages self-reflection and critically gazing on the past. The film's message remains perennially fresh, and I think many viewers will enjoy Une femme mariée. Godard would take up the "housewife and consumerism" theme again three years later in 2 ou 3 choses que je sais d'elle, where this time the housewife prostitutes herself during the day to buy all the nice things that her husband can't. As a critique of consumerism, that later film is more successful inasmuch as it was shot in colour, and thus shows how commercial brands were using brash designs to draw the eye of shoppers. ("If you can't afford LSD," Godard says in a voiceover there, "buy a colour television.") However, Une femme mariée is not just a rough sketch for the later film, and I'd even call it a better film, inasmuch as it tells a coherent story while the elements of the later one don't entirely come together for me.
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