Mank (2020)

title listed under Drama on December 28, 2022
December 28, 2022
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 Mank (2020)    Listen Movie Details
Happiness Meter
6.8/10 68%
Average of Ratings
77%
World Popularity
2%
Internet Movie Database
68%
Rotten Tomatoes
83%
Metacritic
79%
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Movie basic details

Current status - Released
Total runtime - 132 mins.
Release date - 13-11-2020
Release year - 2020
Genres - Drama, History

Overall ratings and scores for Mank:
Happiness Score - 6.8/10, World Popularity Score - 19.102/100, IMDB Score - 6.8, Metascore - 79, Internet Movie Database - 6.8/10, Rotten Tomatoes - 83%, Metacritic - 79/100, .
Mank movie has Total Global Votes - 1257, Total IMD Votes - 72,510

Mank Movie Introduction: Movie Mank, release year 2020 is written by Jack Fincher and directed by David Fincher. The leading star-cast in this movie are Gary Oldman, Amanda Seyfried, Lily Collins along with the other stars and crew members.

Trailers, Clips, Featurettes and Behind the Scenes


MANK | Official Trailer | Netflix

Movie overview and plot by

Movie in-short: 1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941).

Movie story-line: 1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

Movie synopsis: 1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.

Highlights - Mank (2020)

Total budget - $25,000,000.00
Total revenue - $122,252.00
Produced by - Netflix International Pictures
Produced in - United States of America
Available languages - English (English),
Homepage URL - http://www.netflix.com/title/81117189
Awards won / Nominations - Won 2 Oscars. 57 wins & 268 nominations total
Certificate(s) - US : R US : R CA : PG12 JP : 16 AR : VM14 BE : K-7 BE : K-7 FI : C KR : R TR : M/14 PT : 12A PT : 12A HU : 12 GB : 12 FR : NC16 NL : 7 DK : 15A DK : 12 HR : 12 HR : 12 PL : 14

Lead Actors, Writer(s), Director(s) of Mank (2020)

Lead Actors - Gary Oldman, Amanda Seyfried, Lily Collins
Writer(s) - Jack Fincher
Director(s) - David Fincher

Frequently Asked Questions(FAQ) about Mank (2020)

What is the release date of Mank (2020)?
Release date of Mank (2020) is 13-11-2020.

What is the total runtime of Mank (2020) in minutes?
Total runtime of Mank (2020) in minutes is 131 min.

What is the budget consumed to produce Mank (2020) movie?
The budget consumed to produce Mank (2020) movie is around $25,000,000.00.

How much revenue is expected from movie Mank (2020)?
Expected revenue from movie movie Mank (2020) is around $122,252.00.

What is the pupularity of Mank (2020)?
Worldwide pupularity of Mank (2020) movie is 19.102%.

What is the name of the production company of film Mank (2020)?
Production company of film Mank (2020) is/are Netflix International Pictures, .

Which country the film Mank (2020) is produced in?
Film production country for the film Mank (2020) is United States of America, .

Which language the film Mank (2020) is produced in?
Film Mank (2020) is produced in English (English), language(s).

Which Genre the film Mank (2020) belongs to?
Movie Mank (2020) is categorized under Biography, Comedy, Drama genre(s).

Who are the lead actors of the film Mank (2020)?
Lead actors of the film Mank (2020) are Gary Oldman, Amanda Seyfried, Lily Collins.

Who is the writer of the film Mank (2020)?
The writer(s) of the film Mank (2020) is/are Jack Fincher.

Who is the director of the film Mank (2020)?
The director(s) of the film Mank (2020) is/are David Fincher.

Which awards, nominations and recognitions are won by Mank (2020) movie?
Movie Mank (2020) has Won 2 Oscars. 57 wins & 268 nominations total awards and nomination in it's profile.

What is the story of Mank (2020) in-short?
Short plot of movie Mank (2020): 1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941)..

What is the full story of Mank (2020) movie?
Full plot of movie Mank (2020): 1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written..

Where to find full details of Mank (2020) movie?
You can find the full details of movie Mank (2020) at https://www.imdb.com/title/tt10618286

Where to stream or watch movie Mank (2020) online?
You can stream or watch online movie Mank (2020) on Netflix, .

List of full Starcast and crew members of Mank (2020)

Full Starcast:

profie photo of Gary OldmanName: Gary Oldman
Character: Herman Mankiewicz
profie photo of Amanda SeyfriedName: Amanda Seyfried
Character: Marion Davies
profie photo of Lily CollinsName: Lily Collins
Character: Rita Alexander
profie photo of Arliss HowardName: Arliss Howard
Character: Louis B. Mayer
profie photo of Tom PelphreyName: Tom Pelphrey
Character: Joseph Mankiewicz
profie photo of Sam TroughtonName: Sam Troughton
Character: John Houseman
profie photo of Ferdinand KingsleyName: Ferdinand Kingsley
Character: Irving Thalberg
profie photo of Tuppence MiddletonName: Tuppence Middleton
Character: Sara Mankiewicz
profie photo of Tom BurkeName: Tom Burke
Character: Orson Welles
profie photo of Joseph CrossName: Joseph Cross
Character: Charles Lederer
profie photo of Jamie McShaneName: Jamie McShane
Character: Shelly Metcalf
profie photo of Toby Leonard MooreName: Toby Leonard Moore
Character: David O. Selznick
profie photo of Monika GossmannName: Monika Gossmann
Character: Fräulein Frieda
profie photo of Charles DanceName: Charles Dance
Character: William Randolph Hearst
profie photo of Jack RomanoName: Jack Romano
Character: Sid Perelman
profie photo of Adam ShapiroName: Adam Shapiro
Character: George S. Kaufman
profie photo of John ChurchillName: John Churchill
Character: Charles MacArthur
profie photo of Jeff HarmsName: Jeff Harms
Character: Ben Hecht
profie photo of Derek PetropolisName: Derek Petropolis
Character: Eddie Cantor
profie photo of Sean PersaudName: Sean Persaud
Character: Tommy
profie photo of Paul FoxName: Paul Fox
Character: Joe Von Sternberg
profie photo of Tom SimmonsName: Tom Simmons
Character: Doctor
profie photo of Nick JobName: Nick Job
Character: John Gilbert
profie photo of Colin WardName: Colin Ward
Character: Older Man
profie photo of Cooper TomlinsonName: Cooper Tomlinson
Character: Younger Man
profie photo of Julie CollisName: Julie Collis
Character: Female Starlet
profie photo of Arlo MertzName: Arlo Mertz
Character: Child Star
profie photo of Craig WelzbacherName: Craig Welzbacher
Character: Rexford Tugwell
profie photo of Jessie CohenName: Jessie Cohen
Character: Norma Shearer Thalberg
profie photo of Desiree LouiseName: Desiree Louise
Character: Irene Selznick
profie photo of Amie FarrellName: Amie Farrell
Character: Mrs. Meyer
profie photo of Ian BoydName: Ian Boyd
Character: Slim
profie photo of Jay VillwockName: Jay Villwock
Character: C.C.
profie photo of Lou GeorgeName: Lou George
Character: Ed the Gate Guard
profie photo of John Lee AmesName: John Lee Ames
Character: Grady
profie photo of Bill NyeName: Bill Nye
Character: Upton Sinclair
profie photo of Richmond ArquetteName: Richmond Arquette
Character: Heckler
profie photo of David Lee SmithName: David Lee Smith
Character: Sinclair Supporter
profie photo of Mario Di DonatoName: Mario Di Donato
Character: A Man's Voice (voice)
profie photo of James Patrick DuffyName: James Patrick Duffy
Character: Another Man
profie photo of Flo LawrenceName: Flo Lawrence
Character: Maude Anderson
profie photo of Sebastian FaureName: Sebastian Faure
Character: Movie Star #1
profie photo of Randy DavisonName: Randy Davison
Character: Maître D
profie photo of Christian PrenticeName: Christian Prentice
Character: Emcee
profie photo of Leven RambinName: Leven Rambin
Character: Eve - Shelly's Girlfriend
profie photo of Rick PasqualoneName: Rick Pasqualone
Character: Singer
profie photo of Gary TeitelbaumName: Gary Teitelbaum
Character: Rabbi
profie photo of Eden WattezName: Eden Wattez
Character: Joanna Mankiewicz - Age 2
profie photo of Roslyn CohnName: Roslyn Cohn
Character: Elmma Wilson
profie photo of Mark FiteName: Mark Fite
Character: James Wilson
profie photo of John Patrick JordanName: John Patrick Jordan
Character: Best Original Screenplay Announcer
profie photo of Ben MankiewiczName: Ben Mankiewicz
Character: Broadcaster, Academy Awards
profie photo of Natalie Denise SperlName: Natalie Denise Sperl
Character: Movie Star #2
profie photo of Brian Michael JonesName: Brian Michael Jones
Character: Aide - Ben
profie photo of Camille MontgomeryName: Camille Montgomery
Character: Starlet #1
profie photo of Craig Robert YoungName: Craig Robert Young
Character: Charlie Chaplin
profie photo of Paul CarafotesName: Paul Carafotes
Character: Assistant Director
profie photo of Anne BeyerName: Anne Beyer
Character: Female Party Goer
profie photo of Joey HaglerName: Joey Hagler
Character: Male Party Goer
profie photo of Sean DonnellanName: Sean Donnellan
Character: Martin Butler
profie photo of Stewart SkeltonName: Stewart Skelton
Character: News Reel I
profie photo of Malachi RiversName: Malachi Rivers
Character: News Reel II
profie photo of Keith BarberName: Keith Barber
Character: News Reel III
profie photo of Kaytlin BorgenName: Kaytlin Borgen
Character: Mayer's Assistant
profie photo of Madison WestName: Madison West
Character: Starlet #2
profie photo of ElvyName: Elvy
Character: Starlet #3
profie photo of Ali AxelradName: Ali Axelrad
Character: Starlet #4
profie photo of Adrienne EvansName: Adrienne Evans
Character: Wife #1
profie photo of Wylie SmallName: Wylie Small
Character: Wife #2
profie photo of Dana Lyn BaronName: Dana Lyn Baron
Character: Wife #3
profie photo of Jaclyn BethanyName: Jaclyn Bethany
Character: Typist (uncredited)
profie photo of Cary ChristopherName: Cary Christopher
Character: Young Joseph Mankiewicz (uncredited)
profie photo of Michelle TwarowskaName: Michelle Twarowska
Character: Joan Crawford (uncredited)
profie photo of Kingston VernesName: Kingston Vernes
Character: Young Herman Mankiewicz (uncredited)
profie photo of Jordan MatlockName: Jordan Matlock
Character: Groundskeeper (uncredited)
profie photo of Anthony MolinariName: Anthony Molinari
Character: Hobo (uncredited)

Crew Members:

profie photo of Eric RothName: Eric Roth
Department: Production
Job/Role: Producer
profie photo of Trent ReznorName: Trent Reznor
Department: Sound
Job/Role: Original Music Composer
profie photo of David FincherName: David Fincher
Department: Directing
Job/Role: Director
profie photo of Ceán ChaffinName: Ceán Chaffin
Department: Production
Job/Role: Producer
profie photo of Laray MayfieldName: Laray Mayfield
Department: Production
Job/Role: Casting
profie photo of Ren KlyceName: Ren Klyce
Department: Sound
Job/Role: Sound Re-Recording Mixer
profie photo of Ren KlyceName: Ren Klyce
Department: Sound
Job/Role: Sound Supervisor
profie photo of Dan WebsterName: Dan Webster
Department: Art
Job/Role: Supervising Art Director
profie photo of Frank CegliaName: Frank Ceglia
Department: Crew
Job/Role: Special Effects Coordinator
profie photo of Jan PascaleName: Jan Pascale
Department: Art
Job/Role: Set Decoration
profie photo of Donald Graham BurtName: Donald Graham Burt
Department: Art
Job/Role: Production Design
profie photo of Valli O'ReillyName: Valli O'Reilly
Department: Costume & Make-Up
Job/Role: Makeup Artist
profie photo of Danièle LydonName: Danièle Lydon
Department: Crew
Job/Role: Dialect Coach
profie photo of Conrad PopeName: Conrad Pope
Department: Sound
Job/Role: Orchestrator
profie photo of Scott CurtisName: Scott Curtis
Department: Sound
Job/Role: Foley Mixer
profie photo of Thomas BettsName: Thomas Betts
Department: Art
Job/Role: Set Designer
profie photo of Casey O'NeillName: Casey O'Neill
Department: Crew
Job/Role: Stunt Coordinator
profie photo of Jacklin MasteranName: Jacklin Masteran
Department: Costume & Make-Up
Job/Role: Hairstylist
profie photo of David ArinielloName: David Ariniello
Department: Camera
Job/Role: Grip
profie photo of Shelley RodenName: Shelley Roden
Department: Sound
Job/Role: Foley Artist
profie photo of Shannon KempName: Shannon Kemp
Department: Crew
Job/Role: Special Effects Technician
profie photo of Douglas UrbanskiName: Douglas Urbanski
Department: Production
Job/Role: Producer
profie photo of Atticus RossName: Atticus Ross
Department: Sound
Job/Role: Original Music Composer
profie photo of Zack DuhameName: Zack Duhame
Department: Crew
Job/Role: Stunt Coordinator
profie photo of Nancy DerenName: Nancy Deren
Department: Art
Job/Role: Set Designer
profie photo of Kirk BaxterName: Kirk Baxter
Department: Editing
Job/Role: Editor
profie photo of Trish SummervilleName: Trish Summerville
Department: Costume & Make-Up
Job/Role: Costume Design
profie photo of Kris EvansName: Kris Evans
Department: Costume & Make-Up
Job/Role: Makeup Artist
profie photo of Michael PrimmerName: Michael Primmer
Department: Sound
Job/Role: Boom Operator
profie photo of John RoeschName: John Roesch
Department: Sound
Job/Role: Foley Artist
profie photo of Mickey GiacomazziName: Mickey Giacomazzi
Department: Crew
Job/Role: Stunt Coordinator
profie photo of William DoyleName: William Doyle
Department: Production
Job/Role: Co-Producer
profie photo of Josh HakianName: Josh Hakian
Department: Crew
Job/Role: Special Effects Coordinator
profie photo of Jennifer AspinallName: Jennifer Aspinall
Department: Costume & Make-Up
Job/Role: Makeup Artist
profie photo of Laura CalvoName: Laura Calvo
Department: Costume & Make-Up
Job/Role: Makeup Artist
profie photo of Cindy J. WilliamsName: Cindy J. Williams
Department: Costume & Make-Up
Job/Role: Makeup Artist
profie photo of Ariel GoldName: Ariel Gold
Department: Costume & Make-Up
Job/Role: Costume Supervisor
profie photo of Joseph CiglianoName: Joseph Cigliano
Department: Costume & Make-Up
Job/Role: Key Costumer
profie photo of William ConacherName: William Conacher
Department: Crew
Job/Role: Dialect Coach
profie photo of Drew KuninName: Drew Kunin
Department: Sound
Job/Role: Production Sound Mixer
profie photo of Canada Johanna GordonName: Canada Johanna Gordon
Department: Art
Job/Role: Set Decorating Coordinator
profie photo of Elizabeth HimelsteinName: Elizabeth Himelstein
Department: Crew
Job/Role: Dialect Coach
profie photo of Kim FoscatoName: Kim Foscato
Department: Sound
Job/Role: Dialogue Editor
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Movie Posters and Wallapapers - Mank (2020)

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Reviews Section

rated 5 out of 5
June 23, 2021

Rather than a burst of cinematic energy, 'Mank' is a considered, meticulous, subtle and ultimately furious film, one that continues to grow in your mind hours after seeing it. Even after two viewings, I can still hear my mind chewing over every second, my heart quietly racing as I consider its individual moments of genius. This isn't some nostalgic elegy to a great film or a great artist, but a damning portrait of how systems of power can be misused, and how good men find themselves complicit. It speaks ferociously to our contemporary world, and reminds us of the important role of art in a functioning society. In that sense, 'Mank' isn't a film about cinema; it's a film that asks what the point of cinema even is. It's a powerful, rebellious question to ask, and the kind of question only a filmmaker as skilled as David Fincher would dare to, and the imagination to find the answer. In the process, he may have just delivered the best film of the year. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-mank-a-dazzling-damnation-of-the-hypocrisy-of-power


-- SWITCH.
rated 4 out of 5
June 23, 2021

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com This last week of mine has been one of the most challenging I've ever had since I started this project. Not only due to the number of David Fincher's films (Se7en, Fight Club, Zodiac, The Social Network, Gone Girl) I (re)watched in preparation for Mank (plus Citizen Kane), but also because these aren't exactly movies I usually review this quick. Since Zodiac was the only first-watch of this bunch, I was able to surprise myself and fly through the writing process, actually managing to deliver each article daily as I idealized. Finally, the time for one of Netflix's biggest baits for the upcoming awards season had arrived, so I watched Fincher's latest yesterday night. Clearly, I'm a fan of Fincher's style, as my opinions about his filmography prove, so I always expect one of the best films of the respective year to come out of his work. However, having in mind the biographical premise, I know that this type of movie heavily relies on its storytelling. In my case, if a film like this isn't able to offer me new relevant information about a subject I already possess some knowledge of, then inevitably I'll end up disappointed. Even if I still receive these new story details, the transmission must be performed in a compelling manner, which usually these movies fail to do, basing their scripts too much on lazy exposition. So, I tried to keep my expectations moderately high yet realistic and hopeful. Before I share my thoughts, a quick disclaimer. Mank will undoubtedly generate quite a divisive response from the general public. Why? From something as simple as the fact that the film is on black-and-white to the crime that is people not knowing a single thing about Citizen Kane (including never seeing it) but still choosing to watch Mank, there will be countless examples of viewers who will watch the latter with terribly unrealistic expectations. Audiences all around the world will find this movie "boring, uneventful", and say stuff like, "I fell asleep five minutes in", "another artsy B&W uninteresting film for critics to blindly love". Some of these comments will unavoidably come from people who just sat on their couch and clicked a random flick that they saw on Netflix. The marketing campaign could never place a pre-requirement to watch Mank, but I can, and I will. As straightforward and honest as I possibly can: if you've never watched Citizen Kane in your life, then either you do it before even opening your streaming service, or please, skip Mank because you'll probably not enjoy it at all. I firmly believe only 1/1000 viewers will like the latter if they have zero knowledge about Orson Welles' iconic movie. Ideally, (re)watch it, and research a bit about its background: what lead to the creation of the film, who was involved, what controversies surrounded the movie… I know what you're thinking: isn't that what Mank is supposed to tell me about? This takes me to one of my issues with the film. There are basically two options in this genre: either the director and/or the screenwriter choose to help the audience follow the story by introducing them to what they will witness, or they jump straight into the narrative itself. Fincher doesn't waste a second helping the audience understand what's happening or, in some cases, who even are the characters. Either the viewers know what they're getting themselves into (like I advise above) or prepare yourself for an incredibly intricate narrative, wholly packed with flashbacks, side stories, and many, many characters. This will be a significant reason why some people will definitely dislike this movie. I researched and studied Citizen Kane to exhaustion, and I still felt lost during some periods due to the overwhelming amount of subplots and its characters. Then, even though the following is connected to one of the aspects I love the most about Mank, there are at least a couple of other characters besides Herman J. Mankiewicz who I wish I could have learned more about, mainly Marion Davies (Amanda Seyfried) and Joseph L. Mankiewicz (Tom Pelphrey), the protagonist's brother. On the other hand, this also means that despite the high number of characters, most are indeed quite interesting, possessing emotionally compelling arcs. I just noticed I started my review stating my issues with the film, but don't be mistaken: I really, really like it. However, since I'm already here, I might as well let out my remaining problem. So, this isn't close to anything Fincher has done before. It genuinely feels like a remarkably personal project that he surely would have loved to share with his late father, Mank's posthumously screenwriter, Jack Fincher (I'll refer to him as Jack from now on, keeping Fincher related to David). If there's one thing I expected from this movie was Fincher paying homage to Citizen Kane through the technical aspects, including the narrative structure profoundly based on flashbacks to justify a particular opinion, conversation, or event happening in the present. Evidently, Mank follows the exact same storytelling method as Citizen Kane, and despite it being a brilliant decision from David and/or Jack Fincher, the former lets it take over the story instead of elevating it. The flashbacks are mostly earned and well-placed in the narrative, but sometimes it comes across as a mere technical feature exclusively to make that comparison with Citizen Kane, instead of its execution improving the story both Fincher want to tell. Nevertheless, these issues of mine are far from ruining the entire viewing, much on the contrary. When it comes to my number one requirement, Fincher nails it perfectly. I loved getting to know the real-life inspirations that led Mankiewicz to create one of the greatest screenplays of all-time, as well as the shocking (and unknown to me) conditions he had to work on. It's truly a filmmaking miracle to be able to write a masterpiece in the space of two months, being physically and mentally debilitated. Despite the imperfect efficiency of the flashbacks, most develop impactful characters in Mankiewicz's life, and I can't deny that it's a joy for any film lover to see or even hear the mention of some famous filmmakers from that time. Nevertheless, a character is only as great as the actor who portrays it (and vice-versa). Gary Oldman is undoubtedly a contender for this year's Best Actor awards. It would be a major snub for him not to be exhaustingly nominated on every single ceremony. I believe his performance in Darkest Hour as Winston Churchill is more visibly riveting (I've never been so captivated during a war drama before), but his phenomenal display in Mank is hard to deny. From his hilarious yet grounded portrayal of a drunk Mankiewicz to his more sober, sincere attitude, Oldman demonstrates mind-blowing variation, with his physical performance having a notable influence on the overall result. There's no doubt that he carries the entire narrative on his shoulders, and he does it effortlessly. However, Oldman is far from being the only bright spot. Amanda Seyfried can very well get her first serious awards season as the extremely captivating Marion Davies. Seyfried manages to deliver an exquisite balance between the purposefully exaggerated voice mannerisms and Marion's real personality. Tom Pelphrey is also extraordinary as Mankiewicz's brother, whom I immediately researched about as soon as I finished the movie. The intensity with which Pelphrey expresses some sentences is becoming one of his trademark characteristics. I've seen many people talking about these two actors, but Lily Collins (Rita Alexander) portrays my favorite character besides the protagonist. As Mankiewicz's secretary, Lily explores her character in such a heartfelt, authentic manner that, at times, I wished to go back to the present not because of learning more about Citizen Kane's screenplay actually being written, but due to Rita Alexander's interactions with her "boss". Their conversations are some of the most satisfying moments of the entire film, and I genuinely cared for both of them. I know that most of my readers probably don't care about technicalities, but if you've been following me for enough time, you know I value the technical aspects when they significantly impact the movie. Well, I dare state that a massive reason why I enjoy Mank so much is the near-perfect technical homage that Fincher pays to Orson Welles' precedent-setting film. From tiny little details like a "cigarette burn" here and there (I counted eight, and if you don't know what this means, then you clearly didn't watch Citizen Kane) to similar shot composition, Fincher creates flawless resemblances to the "greatest movie of all-time" in almost every scene, including his own version of a "Rosebud" moment. This obviously means that Erik Messerschmidt's cinematography is absolutely stunning. Erik previously worked with Fincher on Mindhunter, proving now that his film career still has a lot of ground to cover. Kirk Baxter could very well be nominated for Best Film Editing, and I can easily picture the exact scene the ceremony would show to demonstrate the seamless, clean cuts which make dialogues easier to follow. Donald Graham Burt, who has worked with Fincher since Zodiac, offers an exceptional production design, but it's Trent Reznor and Atticus Ross' score that steals the show for me. Using only period-authentic instruments, Reznor and Ross deliver a rich, unique, memorable tribute to Bernard Herrmann's work. All in all, Netflix releases another massive contender for the awards season, Mank. With the perfectionist, dedicated David Fincher at the helm, his late father's screenplay ends up being Fincher's most personal project so far. It's a wonderful homage not only to Citizen Kane but also to the 30s/40s decades. Technically, every single component is award-worthy: cinematography, editing, production design, and especially the score. Fincher works with his team to deliver impressively similar iconic scenes and precedent-setting technical characteristics from Orson Welles' impactful movie. Outstanding performances across the board, but expect nominations flying the way of Gary Oldman, Amanda Seyfried, and Lily Collins. However, Fincher's identical narrative structure to the 1941's flick sometimes feels just like a clever tribute instead of actually elevating the story. Jack Fincher's screenplay is overwhelmingly crowded with side stories and characters, making it challenging to follow comprehensibly, especially for viewers without any knowledge about the respective matter. Fortunately, the primary mission of representing Herman J. Mankiewicz's real-life inspirations that led to arguably one of the best screenplays ever written is flawlessly accomplished, making Mank a must-see for any film lover, as long as the viewer has at least watched the so-called "greatest movie of all-time". Rating: A-


-- MSB
rated 4 out of 5
June 23, 2021

A fascinating look about what supposedly went into 'Citizen Kane'. 'Mank', a biopic about screenwriter Herman J. Mankiewicz, is a very good watch. A lot goes on and it's pretty much all interesting to see, admittedly you'd need to have seen the 1941 film. I like that they done this in a non-linear format and in black-and-white, à la in '41. Kudos to the cast. Gary Oldman (Herman) is impressive, I did feel he was overacting - likewise with Amanda Seyfried (Marion) - just a little bit in parts but for the vast, vast majority he (and she) is top notch. Arliss Howard (Mayer), Lily Collins (Rita) and a few others are also pleasing to watch.


-- r96sk

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