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Current status - Released
Total runtime - 100 mins.
Release date - 10-03-2022
Release year - 2022
Genres - Animation, Comedy, Family, Fantasy
Overall ratings and scores for Turning Red:
Happiness Score - 7.399/10, World Popularity Score - 15.9417/100, IMDB Score - 7.0, Metascore - 83, Internet Movie Database - 7.0/10, Rotten Tomatoes - 95%, Metacritic - 83/100, .
Turning Red movie has Total Global Votes - 4821, Total IMD Votes - 149,511
Turning Red Movie Introduction: Movie Turning Red, release year 2022 is written by Domee Shi, Julia Cho, Sarah Streicher and directed by Domee Shi. The leading star-cast in this movie are Rosalie Chiang, Sandra Oh, Ava Morse along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Official Trailer
Anime Influence in Turning Red
Domee Shi on Making Her Pixar Film TURNING RED
SCENE AT THE ACADEMY: Turning Red
Filmmaker Interview
“Welcome to 4*Town” Featurette
"Nobody Like Pixar" Featurette
Movie overview and plot by Anagha Shashank
Movie in-short: A thirteen-year-old girl named Mei Lee is torn between staying her mother's dutiful daughter and the changes of adolescence. And as if the challenges were not enough, whenever she gets overly excited she transforms into a giant re...
Movie story-line: Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.
Movie synopsis: Mei Lee (voice of Rosalie Chiang) is a confident, dorky 13-year-old torn between staying her mother's dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter - an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren't enough, whenever she gets too excited (which is practically ALWAYS), she "poofs" into a giant red panda.
Highlights - Turning Red (2022)
Total budget - $175,000,000.00
Total revenue - $21,328,962.00
Produced by - Walt Disney PicturesPixar
Produced in - United States of America
Available languages - Cantonese (广州话 / 廣州話), Mandarin (普通话), Korean (한국어/조선말), French (Français), English (English),
Homepage URL - https://www.disneyplus.com/movies/turning-red/4mFPCXJi7N2m
Awards won / Nominations - Nominated for 1 Oscar. 10 wins & 91 nominations total
Certificate(s) - AU : PG AU : PG BO : L BR : PG CZ : 6 DE : 7 EE : 7 ES : K-7 ES : K-7 FI : PG FI : PG GT : 12 HR : PG HU : T ID : ALL IT : A KR : 6 KR : 9 MY : PG MY : PG MY : PG MY : PG NL : 7 NZ : PG NZ : PG
Lead Actors, Writer(s), Director(s) of Turning Red (2022)
Lead Actors - Rosalie Chiang, Sandra Oh, Ava Morse
Writer(s) - Domee Shi, Julia Cho, Sarah Streicher
Director(s) - Domee Shi
Frequently Asked Questions(FAQ) about Turning Red (2022)
What is the release date of Turning Red (2022)?
Release date of Turning Red (2022) is 10-03-2022.
What is the total runtime of Turning Red (2022) in minutes?
Total runtime of Turning Red (2022) in minutes is 100 min.
What is the budget consumed to produce Turning Red (2022) movie?
The budget consumed to produce Turning Red (2022) movie is around $175,000,000.00.
How much revenue is expected from movie Turning Red (2022)?
Expected revenue from movie movie Turning Red (2022) is around $21,328,962.00.
What is the pupularity of Turning Red (2022)?
Worldwide pupularity of Turning Red (2022) movie is 15.9417%.
What is the name of the production company of film Turning Red (2022)?
Production company of film Turning Red (2022) is/are Walt Disney Pictures, Pixar, .
Which country the film Turning Red (2022) is produced in?
Film production country for the film Turning Red (2022) is United States of America, .
Which language the film Turning Red (2022) is produced in?
Film Turning Red (2022) is produced in Cantonese (广州话 / 廣州話), Mandarin (普通话), Korean (한국어/조선말), French (Français), English (English), language(s).
Which Genre the film Turning Red (2022) belongs to?
Movie Turning Red (2022) is categorized under Animation, Adventure, Comedy genre(s).
Who are the lead actors of the film Turning Red (2022)?
Lead actors of the film Turning Red (2022) are Rosalie Chiang, Sandra Oh, Ava Morse.
Who is the writer of the film Turning Red (2022)?
The writer(s) of the film Turning Red (2022) is/are Domee Shi, Julia Cho, Sarah Streicher.
Who is the director of the film Turning Red (2022)?
The director(s) of the film Turning Red (2022) is/are Domee Shi.
Which awards, nominations and recognitions are won by Turning Red (2022) movie?
Movie Turning Red (2022) has Nominated for 1 Oscar. 10 wins & 91 nominations total awards and nomination in it's profile.
What is the story of Turning Red (2022) in-short?
Short plot of movie Turning Red (2022): A thirteen-year-old girl named Mei Lee is torn between staying her mother's dutiful daughter and the changes of adolescence. And as if the challenges were not enough, whenever she gets overly excited she transforms into a giant re....
What is the full story of Turning Red (2022) movie?
Full plot of movie Turning Red (2022): Mei Lee (voice of Rosalie Chiang) is a confident, dorky 13-year-old torn between staying her mother's dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter - an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren't enough, whenever she gets too excited (which is practically ALWAYS), she "poofs" into a giant red panda..
Where to find full details of Turning Red (2022) movie?
You can find the full details of movie Turning Red (2022) at https://www.imdb.com/title/tt8097030
Where to stream or watch movie Turning Red (2022) online?
You can stream or watch online movie Turning Red (2022) on Disney Plus, Amazon Video, Apple TV, Google Play Movies, Rakuten TV, Microsoft Store, maxdome Store, Sky Store, YouTube, Telstra TV, Cineplex, blue TV, MagentaTV, Videoload, Viaplay, SF Anytime, Go3, Blockbuster, Orange VOD, Hotstar, TV 2 Play, Player, Horizon, AMC on Demand, .
List of full Starcast and crew members of Turning Red (2022)
Full Starcast:
Name: Rosalie Chiang
Character: Meilin 'Mei' Lee (voice)
Name: Sandra Oh
Character: Ming (voice)
Name: Ava Morse
Character: Miriam (voice)
Name: Hyein Park
Character: Abby (voice)
Name: Maitreyi Ramakrishnan
Character: Priya (voice)
Name: Orion Lee
Character: Jin Lee (voice)
Name: Wai Ching Ho
Character: Grandma (voice)
Name: Tristan Allerick Chen
Character: Tyler (voice)
Name: James Hong
Character: Mr. Gao (voice)
Name: Lori Tan Chinn
Character: Auntie Chen (voice)
Name: Mia Tagano
Character: Lily (voice)
Name: Sherry Cola
Character: Helen (voice)
Name: Lillian Lim
Character: Auntie Ping (voice)
Name: Jordan Fisher
Character: Robaire (4*Town) (voice)
Name: Finneas O'Connell
Character: Jesse (4*Town) (voice)
Name: Topher Ngo
Character: Aaron T. (4*Town) (voice)
Name: Grayson Villanueva
Character: Tae Young (4*Town) (voice)
Name: Josh Levi
Character: Aaron Z. (4*Town) (voice)
Name: Sasha Roiz
Character: Mr. Kieslowski / Additional Voices (voice)
Name: Addie Chandler
Character: Devon / Additional Voices (voice)
Name: Lily Sanfelippo
Character: Stacy Frick / Additional Voices (voice)
Name: Anne-Marie
Character: Lauren (voice) (uncredited)
Name: Evan Agos
Character: Additional Voices (voice)
Name: Trinity Bliss
Character: Additional Voices (voice)
Name: Devin Bright
Character: Additional Voices (voice)
Name: Kimberly Brooks
Character: Additional Voices (voice)
Name: Ian James Corlett
Character: Additional Voices (voice)
Name: Juliet Donenfeld
Character: Additional Voices (voice)
Name: Terri Douglas
Character: Additional Voices (voice)
Name: Ellen Dubin
Character: Additional Voices (voice)
Name: Alison Fernandez
Character: Additional Voices (voice)
Name: Jack Fisher
Character: Additional Voices (voice)
Name: Erin Fitzgerald
Character: Additional Voices (voice)
Name: Poon Fong-Fong
Character: Additional Voices (voice)
Name: Hadley Gannaway
Character: Additional Voices (voice)
Name: David Hayter
Character: Additional Voices (voice)
Name: Karen Huie
Character: Additional Voices (voice)
Name: Sean T. Krishnan
Character: Additional Voices (voice)
Name: Arif S. Kinchen
Character: Additional Voices (voice)
Name: Paul Kwo
Character: Additional Voices (voice)
Name: James Taku Leung
Character: Additional Voices (voice)
Name: Lydia Look
Character: Additional Voices (voice)
Name: David Chen
Character: Additional Voices (voice)
Name: Kim Mai Guest
Character: Additional Voices (voice)
Name: Caleb Jeon
Character: Additional Voices (voice)
Name: Ethan Loh
Character: Additional Voices (voice)
Name: Noel Mason
Character: Additional Voices (voice)
Name: Jason Maybaum
Character: Additional Voices (voice)
Name: Jaiden McLeod
Character: Additional Voices (voice)
Name: Ulka Simone Mohanty
Character: Additional Voices (voice)
Name: Iara Nemirovsky
Character: Additional Voices (voice)
Name: Capri Oliver
Character: Additional Voices (voice)
Name: Benjamin Plessala
Character: Additional Voices (voice)
Name: Tsang Pui-Yee
Character: Additional Voices (voice)
Name: Maddix Robinson
Character: Additional Voices (voice)
Name: Zeno Robinson
Character: Additional Voices (voice)
Name: Vivienne Rutherford
Character: Additional Voices (voice)
Name: Violet Grace Schaffer
Character: Additional Voices (voice)
Name: Mariel Sheets
Character: Additional Voices (voice)
Name: Christian J. Simon
Character: Additional Voices (voice)
Name: Artemis Snow
Character: Additional Voices (voice)
Name: Sydney Thomas
Character: Additional Voices (voice)
Name: Timothy Cheng Chi-Sing
Character: Additional Voices (voice)
Name: Benjamin Valic
Character: Additional Voices (voice)
Name: Shondalia White
Character: Additional Voices (voice)
Name: Cedric L. Williams
Character: Additional Voices (voice)
Crew Members:
Name: Ren Klyce
Department: Sound
Job/Role: Sound Designer
Name: Ren Klyce
Department: Sound
Job/Role: Supervising Sound Editor
Name: Ren Klyce
Department: Sound
Job/Role: Sound Re-Recording Mixer
Name: Bret Parker
Department: Visual Effects
Job/Role: Animation
Name: Brett Coderre
Department: Visual Effects
Job/Role: Animation
Name: Wendell Lee
Department: Visual Effects
Job/Role: Animation
Name: Victor Navone
Department: Visual Effects
Job/Role: Animation
Name: Patty Kihm Stevenson
Department: Visual Effects
Job/Role: Animation Supervisor
Name: Kureha Yokoo
Department: Visual Effects
Job/Role: Animation
Name: Pete Docter
Department: Production
Job/Role: Executive Producer
Name: Nicholas C. Smith
Department: Editing
Job/Role: Editor
Name: Kevin Reher
Department: Production
Job/Role: Casting
Name: Lindsey Collins
Department: Production
Job/Role: Producer
Name: Steve Bissinger
Department: Sound
Job/Role: Sound Effects Editor
Name: Terri Douglas
Department: Production
Job/Role: ADR Voice Casting
Name: Dan Scanlon
Department: Production
Job/Role: Executive Producer
Name: Steve Bloom
Department: Editing
Job/Role: Editor
Name: Ludwig Göransson
Department: Sound
Job/Role: Original Music Composer
Name: Natalie Lyon
Department: Production
Job/Role: Casting
Name: John Roesch
Department: Sound
Job/Role: Foley Artist
Name: Jessie Thiele
Department: Production
Job/Role: Post Production Producer
Name: Madeline Sharafian
Department: Writing
Job/Role: Head of Story
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Name: Lindsay Andrus
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Name: Evan Bonifacio
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Name: Rosana Sullivan
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Name: Jamie Ryan
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Name: Julian Teo
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Name: Rona Liu
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Name: Sarah Streicher
Department: Writing
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Name: Bruna Berford
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Name: Nick Sumida
Department: Art
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Name: Kelly Juarez
Department: Visual Effects
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Name: Christian Hoffman
Department: Visual Effects
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Name: Steve Karski
Department: Art
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Name: Janel Drewis
Department: Visual Effects
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Name: Teresa Falcone
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Name: Robb Gibbs
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Name: Rami Kasim
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Name: Beril Pisgin-Saglam
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Name: Priscila de Borthole Vertamatti
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Name: Selen Atiker
Department: Visual Effects
Job/Role: Fix Animator
Name: Christopher R. Carter
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Name: Andreas Dutz
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Name: Mark-Leon Rivera
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Name: Kristina Sepulveda
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Name: Maya Tanaka
Department: Visual Effects
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Name: Guyu Liang
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Name: Christopher Sanchez
Department: Visual Effects
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Name: Lexi Diamond
Department: Production
Job/Role: Casting Assistant
Reviews Section
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises. Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends. Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in. Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks. Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future. The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult. The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable. The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend. It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term. 3 stars out of 5 “Turning Red” will debut on Disney+ on March 11th
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/turning-red-spoiler-free-review "Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner. A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement. With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life. One of the best movies of the year until this day." Rating: A-
Well worth a watch, this. 'Turning Red' is a very good flick from Disney/Pixar. It's different in a way, I wasn't sure how it was going to turn out based on the first few minutes but by the end it provides the required and expected amount of entertainment and meaning. The voice cast are excellent, I have no faults with them. Rosalie Chiang gives a performance full of energy in the lead role, while Sandra Oh puts in a strong display alongside Chiang. The rest of them are good too, as I also recognised James Hong and Lori Tan Chinn. Us UK viewers also have the bonus of a small role for Anne-Marie.
Kinda boring
Full Analysis at Spotamovie.com - **Intro** - Pixar’s movies usually have great insights, and even with Turning Red, they provided us with meaningful messages to help our children and us grow our personalities and mindset. - **The Story** - Meilin is an energetic teenager ready to walk into the grown-up world. However, she needs to wear a mask when she is with her parents and another one when she is at school and with her friends. The risk to disappoint her family is too big for Meilin. But something unexpected will happen. Meilin’s life will change drastically because of a secret that lives within her family. When Meilin can’t control her emotions, a new version of herself will appear. But can you hold your feelings? - **Full Analysis and Explanation at** https://www.spotamovie.com/turning-red-review-and-explanation-critic-post-movie-disney-movie-2022
Really going to put people on blast for somehow not being able to relate to a movie with themes of controlling parents, puberty emotions, and body image just because it’s in the coat of 13 year old tween Asian angst, shouldn’t the fact that it’s more specific actually be more relatable if you have empathy? Broke down at the theme of "never being good enough for parents", them having their ideas of my future vs. my own. Great music, best animation from Pixar in a while, super expressive.
This has quite a fun premiss but I guess I'm just the wrong demographic because I really struggled to get through it. "Meilin" is a thirteen year old girl going through the usual teenage angst sort of stuff - only, when she gets agitated she morphs into a giant panda. A red one. Her mother "Ming" is a bit over-protective and when her daughter announces that she wants to go and see a boy-band concert with her friends, a war of wills ensues. It soon turns out that these transformation skills run in the family, and huge great angry pandas are not to be messed with. The animation is fine and Eilish/O'Connell have written some fitting, if hardly their most memorable, numbers, but it is just too long and the theme recycles itself once too often for my old eyes. Colourful enough, but for me it just re-emphasised why I am very, very, glad I am no longer 13! (or even 31!)
It is great!!
Animation that makes me feel alive!! Right up there with Monsters Inc. for the funniest Pixar movie. It balances its tone well, the characters and world it builds are so much fun while still managing to hit emotional beats with ease. Films exploring generational trauma and emotional/personal repression are apparently my jam? Top-tier.
A beautifully animated movie that touches on real issues like parental pressure, coming of age, friendships, and most importantly...learning who you truly are and accepting all of you. The good and the bad.
**Pixar discovered anime and is looking to conquer the eastern box office.** I had some expectations regarding this film. I don't know exactly what I expected, but I think everyone will understand if I say that the film is signed by Disney and Pixar, two studios with an enviable track record of successes. However, as soon as the film ended, I felt that I wasn't exactly the target audience for this film: male, over thirty, European, with little connection with pop culture or the anime world. The film follows a young teenager, daughter of Chinese parents, in a somewhat cathartic experience in which she transforms into a friendly red panda. The film focuses on this transformation and turns it into a metaphor for a transformation called puberty, a discovery of one's own individuality and autonomy, particularly with regard to the relationship with one's parents. The film is good, but the theme is… complicated. If it is absolutely true that most teenage girls will see themselves in some of the adventures that Mei experiences, it is no less true that many parents and guardians will face the topic with discomfort and raise some objections regarding a certain “apology of rebellion” that the film suggests. On a positive note, it was the first time I saw an animated film aimed at young audiences that addressed menstruation bluntly. The dialogues continue to insist, however, on that stereotype of the panicking teenager and the mother disturbed by the moment and insisting that, now, her daughter is a woman. This is stupid and conveys inaccurate ideas: a woman is a woman from before birth, from a biological point of view, and becomes a woman from a psychological and social point of view long after her first menstruation, when she begins to be old enough and mature enough to make their own decisions (the same applies to men, with the necessary reservations). In addition to these problems, the plot seems a little incipient to me, following paths that are quite obvious, opting for predictable solutions and creating basic characters. I could even talk about the amount of stereotypes about Chinese and Orientals present in this film… but do I need to talk about that? The best thing about the film is the animations and the extraordinary quality of the drawings and effects. Pixar does not miss the opportunity to defend its credits and reputation in digital animation and offers us a feast for the eyes, with a realism and attention to detail that is difficult to overcome and that makes us think about the way technology has evolved in just a few years: “Toy Story” isn’t even thirty years old yet, and it already seems a little dated! Just one problem: I'm not a fan of anime at all. I think it's a very stylized, excessive, exaggerated type of animation. Unfortunately, this film adopts too many elements that are imported from the anime. Look at the eyes, the exaggeratedly large mouths, the sudden changes in the characters' poses or attitudes... you can't have one foot in two worlds at the same time.
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