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buy onlineMovie basic details
Current status - Released
Total runtime - 242 mins.
Release date - 18-03-2021
Release year - 2021
Genres - Action, Adventure, Fantasy, Science Fiction
Overall ratings and scores for Zack Snyder's Justice League:
Happiness Score - 8.228/10, World Popularity Score - 18.4422/100, IMDB Score - 8.0, Metascore - 54, Internet Movie Database - 8.0/10, Metacritic - 54/100, .
Zack Snyder's Justice League movie has Total Global Votes - 8502, Total IMD Votes - 398,289
Zack Snyder's Justice League Movie Introduction: Movie Zack Snyder's Justice League, release year 2021 is written by Jerry Siegel, Joe Shuster, Zack Snyder and directed by Zack Snyder. The leading star-cast in this movie are Henry Cavill, Ben Affleck, Gal Gadot along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Anagha Shashank
Movie in-short: Determined to ensure that Superman's ultimate sacrifice wasn't in vain, Bruce Wayne recruits a team of metahumans to protect the world from an approaching threat of catastrophic proportions.
Movie story-line: Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.
Movie synopsis: Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman, Wonder Woman, Aquaman, Cyborg and The Flash may be too late to save the planet from Steppenwolf, DeSaad and Darkseid and their dreadful intentions.
Highlights - Zack Snyder's Justice League (2021)
Total budget - $70,000,000.00
Total revenue - $657,900,000.00
Produced by - Warner Bros. PicturesDune EntertainmentAtlas EntertainmentAccess EntertainmentThe Stone QuarryDC Films
Produced in - United States of America
Available languages - English (English),
Homepage URL - https://www.hbomax.com/zacksnydersjusticeleague
Awards won / Nominations - 5 wins & 6 nominations
Certificate(s) - VG : 輔15 BZ : T BB : 15 BB : 15 BB : 15 BA : MA15+ BA : M BA : MA15+ BY : 16 BY : 14 GE : 16 HN : M/18 JM : R JM : R JM : R JM : R MT : 12 MT : 12 PY : 12 PY : 12 UZ : 18 QA : B-15 SK : 18+
Lead Actors, Writer(s), Director(s) of Zack Snyder's Justice League (2021)
Lead Actors - Henry Cavill, Ben Affleck, Gal Gadot
Writer(s) - Jerry Siegel, Joe Shuster, Zack Snyder
Director(s) - Zack Snyder
Frequently Asked Questions(FAQ) about Zack Snyder's Justice League (2021)
What is the release date of Zack Snyder's Justice League (2021)?
Release date of Zack Snyder's Justice League (2021) is 18-03-2021.
What is the total runtime of Zack Snyder's Justice League (2021) in minutes?
Total runtime of Zack Snyder's Justice League (2021) in minutes is 242 min.
What is the budget consumed to produce Zack Snyder's Justice League (2021) movie?
The budget consumed to produce Zack Snyder's Justice League (2021) movie is around $70,000,000.00.
How much revenue is expected from movie Zack Snyder's Justice League (2021)?
Expected revenue from movie movie Zack Snyder's Justice League (2021) is around $657,900,000.00.
What is the pupularity of Zack Snyder's Justice League (2021)?
Worldwide pupularity of Zack Snyder's Justice League (2021) movie is 18.4422%.
What is the name of the production company of film Zack Snyder's Justice League (2021)?
Production company of film Zack Snyder's Justice League (2021) is/are Warner Bros. Pictures, Dune Entertainment, Atlas Entertainment, Access Entertainment, The Stone Quarry, DC Films, .
Which country the film Zack Snyder's Justice League (2021) is produced in?
Film production country for the film Zack Snyder's Justice League (2021) is United States of America, .
Which language the film Zack Snyder's Justice League (2021) is produced in?
Film Zack Snyder's Justice League (2021) is produced in English (English), language(s).
Which Genre the film Zack Snyder's Justice League (2021) belongs to?
Movie Zack Snyder's Justice League (2021) is categorized under Action, Adventure, Fantasy genre(s).
Who are the lead actors of the film Zack Snyder's Justice League (2021)?
Lead actors of the film Zack Snyder's Justice League (2021) are Henry Cavill, Ben Affleck, Gal Gadot.
Who is the writer of the film Zack Snyder's Justice League (2021)?
The writer(s) of the film Zack Snyder's Justice League (2021) is/are Jerry Siegel, Joe Shuster, Zack Snyder.
Who is the director of the film Zack Snyder's Justice League (2021)?
The director(s) of the film Zack Snyder's Justice League (2021) is/are Zack Snyder.
Which awards, nominations and recognitions are won by Zack Snyder's Justice League (2021) movie?
Movie Zack Snyder's Justice League (2021) has 5 wins & 6 nominations awards and nomination in it's profile.
What is the story of Zack Snyder's Justice League (2021) in-short?
Short plot of movie Zack Snyder's Justice League (2021): Determined to ensure that Superman's ultimate sacrifice wasn't in vain, Bruce Wayne recruits a team of metahumans to protect the world from an approaching threat of catastrophic proportions..
What is the full story of Zack Snyder's Justice League (2021) movie?
Full plot of movie Zack Snyder's Justice League (2021): Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman, Wonder Woman, Aquaman, Cyborg and The Flash may be too late to save the planet from Steppenwolf, DeSaad and Darkseid and their dreadful intentions..
Where to find full details of Zack Snyder's Justice League (2021) movie?
You can find the full details of movie Zack Snyder's Justice League (2021) at https://www.imdb.com/title/tt12361974
Where to stream or watch movie Zack Snyder's Justice League (2021) online?
You can stream or watch online movie Zack Snyder's Justice League (2021) on Google Play Movies, Apple iTunes, HBO Max, Amazon Video, Rakuten TV, Chili, Microsoft Store, maxdome Store, Sky Store, Pantaflix, BINGE, Foxtel Now, YouTube, Telstra TV, Fetch TV, meJane, Yelo Play, Crave, Cineplex, Amazon Prime Video, blue TV, Hollystar, ShowMax, MagentaTV, Viaplay, Blockbuster, SF Anytime, HBO, Telia Play, Orange VOD, Filmo TV, Canal VOD, Universcine, HBO Go, Catchplay, Tata Play, Naver Store, Claro video, Cinépolis KLIC, Pathé Thuis, SumoTV, Strim, IPLA, VOD Poland, Ivi, Redbox, DIRECTV, HBO Max Amazon Channel, BoxOffice, .
List of full Starcast and crew members of Zack Snyder's Justice League (2021)
Full Starcast:
Name: Ben Affleck
Character: Bruce Wayne / Batman
Name: Henry Cavill
Character: Clark Kent / Superman / Kal-El
Name: Gal Gadot
Character: Diana Prince / Wonder Woman
Name: Jason Momoa
Character: Arthur Curry / Aquaman
Name: Ezra Miller
Character: Barry Allen / The Flash
Name: Ray Fisher
Character: Victor Stone / Cyborg
Name: Amy Adams
Character: Lois Lane
Name: Jeremy Irons
Character: Alfred Pennyworth
Name: Connie Nielsen
Character: Queen Hippolyta
Name: Diane Lane
Character: Martha Kent
Name: J.K. Simmons
Character: Commissioner James Gordon
Name: Ciarán Hinds
Character: Steppenwolf (voice)
Name: Amber Heard
Character: Mera
Name: Joe Morton
Character: Silas Stone
Name: Ray Porter
Character: Darkseid (voice)
Name: Jesse Eisenberg
Character: Lex Luthor
Name: Jared Leto
Character: The Joker
Name: Willem Dafoe
Character: Nudis Vulko
Name: Kiersey Clemons
Character: Iris West
Name: Peter Guinness
Character: DeSaad (voice)
Name: Harry Lennix
Character: General Calvin Swanwick / J'onn J'onzz / Martian Manhunter
Name: Karen Bryson
Character: Elinore Stone
Name: Marc McClure
Character: Jerry
Name: Sergi Constance
Character: Zeus
Name: Michael McElhatton
Character: Black Clad Alpha
Name: Lara Decaro
Character: School Girl
Name: Ryan Zheng Kai
Character: Ryan Choi
Name: David Thewlis
Character: Ares
Name: Samantha Win
Character: Euboea
Name: Lisa Loven Kongsli
Character: Menalippe
Name: Julian Lewis Jones
Character: Ancient Atlantean King
Name: John Dagleish
Character: Black Clad Beta
Name: Francis Magee
Character: Ancient King of Men
Name: Doutzen Kroes
Character: Venelia
Name: Brooke Ence
Character: Penthiselea
Name: Hari James
Character: Antiope's Crew
Name: Ann Ogbomo
Character: Philippus
Name: Russell Crowe
Character: Jor-El (voice)
Name: C. Amanda Maud
Character: Waitress
Name: Ágústa Eva Erlendsdóttir
Character: Young Icelandic Woman
Name: Björt Sigfinnsdóttir
Character: Young Icelandic Woman
Name: Salome R. Gunnarsdottir
Character: Singing Icelandic Woman
Name: Kristbjörg Kjeld
Character: Old Icelandic Woman
Name: Ingvar Sigurdsson
Character: Mayor
Name: Védís Vífilsdóttir
Character: Icelandic Child (Girl)
Name: Snæfríður Rán Aðalsteins
Character: Icelandic Child (Girl)
Name: Charlotte Comer
Character: School Chaperone
Name: Serene Angus
Character: School Girl's Friend
Name: Anna Burgess
Character: School Girl's Friend
Name: Alison Chang
Character: School Girl's Friend
Name: Constance Bole
Character: School Girl's Friend
Name: Shahla Ayamah
Character: School Girl's Friend
Name: Chris Courtenay
Character: Old Bailey Judge
Name: Heather Imbeah
Character: Old Bailey Clerk
Name: Carla Turner
Character: School Teacher
Name: Grace Cookey-Gam
Character: Old Bailey Lawyer
Name: Matthew Bates
Character: Old Bailey Hostage
Name: Gary Reimer
Character: Task Force Sniper
Name: Robbie Gee
Character: Task Force Lead
Name: Jim Sturgeon
Character: Task Force Deputy
Name: Eleanor Matsuura
Character: Epione
Name: Anthony Wise
Character: Howard the Janitor
Name: Jérôme Pradon
Character: Louvre Conservationist
Name: Richard Clifford
Character: French Archaeologist
Name: Rebecca C. Perfect
Character: News Reporter at Isle of Crete
Name: Vincent Riotta
Character: CID Chief Detective
Name: Edward Mitchell
Character: CID Officer
Name: Mark Arnold
Character: Containment Centre Scientist
Name: Martin Troakes
Character: Welsh Tavern Barkeep
Name: Aurore Lauzeral
Character: Artemis
Name: Lucy Briers
Character: Dog Day Care Owner
Name: David Mara
Character: Produce Truck Driver
Name: Wil Coban
Character: Tortured Atlantean Soldier
Name: Stewart Alexander
Character: College Dean
Name: Christy Meyer
Character: Emergency Room Doctor
Name: Granville Saxton
Character: Homeless Man
Name: Gianpiero Cognoli
Character: Central City Prison Guard
Name: Kobna Holdbrook-Smith
Character: Detective Crispus Allen
Name: Kevin Mathurin
Character: Sketch Witness
Name: Joyce Veheary
Character: Gotham Cop
Name: Taylor James
Character: Atlantean Military Messenger
Name: Hadrian Howard
Character: Atlantean General
Name: Victor Gardener
Character: Atlantean General #2
Name: Bruce Chong
Character: Atlantean General #3
Name: Orion Lee
Character: Star Labs Scientist
Name: Oliver Gatz
Character: Star Labs Scientist
Name: Rachel Blenkiron
Character: Star Labs Scientist
Name: Lynne Anne Rodgers
Character: Star Labs Cleaning Staff
Name: Oliver Powell
Character: Star Labs Cleaning Staff
Name: Kelly Burke
Character: Air Force Security
Name: Keith Simpson
Character: Air Force Security
Name: Omri Rose
Character: Moonsuit Soldier
Name: Will Austin
Character: MP Guard
Name: William Atkinson
Character: Military Police
Name: Sam Benjamin
Character: Military Police
Name: Shalini Peiris
Character: Bio Hazard Suit Soldier
Name: Carla Gugino
Character: Ship Voice (voice)
Name: Adam Forman
Character: Pickup Truck Driver
Name: Peter Brooke
Character: Defense Department Official
Name: Peter Henderson
Character: Bald Inmate
Name: Bruce Lester-Johnson
Character: Prison Guard
Name: Katia Elizarova
Character: Lex's Guard
Name: Gemma Refoufi
Character: Lex's Guard
Name: Leila Reid
Character: Lex's Guard
Name: Suan-Li Ong
Character: Lex's Guard
Name: Tina Balthazar
Character: Lex's Guard
Name: Penny Lane
Character: Lex's Guard
Name: Stephanie Haymes-Roven
Character: Amazon Cavalry General
Name: Gary A. Hecker
Character: Creature Vocals (voice)
Name: Steve West
Character: MoBo Priest
Name: Laura Waddell
Character: MoBo Priest #2
Name: Kevin Costner
Character: Jonathan Kent (voice) (uncredited)
Name: Swaylee Loughnane
Character: Cop (uncredited)
Name: Robin Wright
Character: Antiope (uncredited)
Name: Billy Crudup
Character: Henry Allen (uncredited)
Name: Zack Snyder
Character: Man in Coffee Shop (uncredited)
Name: Clem So
Character: Armies of Men Mongolian Warlord (uncredited)
Name: Greg Draven
Character: Viking (uncredited)
Name: Joe Manganiello
Character: Slade Wilson / Deathstroke (uncredited)
Name: Nick McKinless
Character: Ares Body Double (uncredited)
Name: Craig Douglas
Character: Policeman London (Uncredited)
Crew Members:
Name: Charles Roven
Department: Production
Job/Role: Producer
Name: Christopher Nolan
Department: Production
Job/Role: Executive Producer
Name: Emma Thomas
Department: Production
Job/Role: Executive Producer
Name: Dody Dorn
Department: Editing
Job/Role: Additional Editor
Name: Ben Affleck
Department: Production
Job/Role: Executive Producer
Name: Kim McGarrity
Department: Crew
Job/Role: Stunts
Name: Frank Miller
Department: Crew
Job/Role: Thanks
Name: Lora Kennedy
Department: Production
Job/Role: Casting
Name: Bob Kane
Department: Writing
Job/Role: Characters
Name: Patrick Tatopoulos
Department: Art
Job/Role: Production Design
Name: Michael Wilkinson
Department: Costume & Make-Up
Job/Role: Costume Design
Name: David Brenner
Department: Editing
Job/Role: Editor
Name: Michael K. Bauer
Department: Sound
Job/Role: Music Editor
Name: Michael Uslan
Department: Production
Job/Role: Executive Producer
Name: Benjamin Melniker
Department: Production
Job/Role: Executive Producer
Name: Keith Pain
Department: Art
Job/Role: Art Direction
Name: Talila Craig
Department: Crew
Job/Role: Stunts
Name: Eunice Huthart
Department: Crew
Job/Role: Stunt Coordinator
Name: Mark Southworth
Department: Crew
Job/Role: Stunts
Name: Richard Cetrone
Department: Crew
Job/Role: Stunts
Name: Zack Snyder
Department: Directing
Job/Role: Director
Name: Zack Snyder
Department: Writing
Job/Role: Story
Name: Scott A. Hecker
Department: Sound
Job/Role: Sound Designer
Name: Scott A. Hecker
Department: Sound
Job/Role: Sound Supervisor
Name: Kristy Carlson
Department: Production
Job/Role: Casting
Name: Jack Kirby
Department: Writing
Job/Role: Characters
Name: Jerry Siegel
Department: Writing
Job/Role: Characters
Name: Joe Shuster
Department: Writing
Job/Role: Characters
Name: Helen Jarvis
Department: Art
Job/Role: Supervising Art Director
Name: David Fisher
Department: Crew
Job/Role: Stunts
Name: Leo Stransky
Department: Crew
Job/Role: Stunts
Name: James Robinson
Department: Crew
Job/Role: Thanks
Name: Chuck Michael
Department: Sound
Job/Role: Sound Designer
Name: Chuck Michael
Department: Sound
Job/Role: Sound Supervisor
Name: Junkie XL
Department: Sound
Job/Role: Original Music Composer
Name: Junkie XL
Department: Sound
Job/Role: Orchestrator
Name: Junkie XL
Department: Sound
Job/Role: Music Programmer
Name: Junkie XL
Department: Sound
Job/Role: Music Producer
Name: Stefan Sonnenfeld
Department: Editing
Job/Role: Digital Intermediate Colorist
Name: Stefan Sonnenfeld
Department: Editing
Job/Role: Senior Colorist
Name: Marvin Campbell
Department: Crew
Job/Role: Stunts
Name: Matthew Gray
Department: Art
Job/Role: Art Direction
Name: Wesley Coller
Department: Production
Job/Role: Executive Producer
Name: Deborah Snyder
Department: Production
Job/Role: Producer
Name: Greg Rucka
Department: Crew
Job/Role: Thanks
Name: Gail Simone
Department: Crew
Job/Role: Thanks
Name: Mark DeSimone
Department: Sound
Job/Role: ADR Mixer
Name: Martin Pemberton
Department: Crew
Job/Role: Stunts
Name: Chris Terrio
Department: Writing
Job/Role: Screenplay
Name: Chris Terrio
Department: Production
Job/Role: Executive Producer
Name: Chris Terrio
Department: Writing
Job/Role: Story
Name: Marv Wolfman
Department: Crew
Job/Role: Thanks
Name: Michael Keller
Department: Sound
Job/Role: Sound Re-Recording Mixer
Name: Len Wein
Department: Crew
Job/Role: Thanks
Name: Freddy Bouciegues
Department: Crew
Job/Role: Fight Choreographer
Name: Bill Finger
Department: Writing
Job/Role: Characters
Name: Jim Lee
Department: Crew
Job/Role: Thanks
Name: Geoff Johns
Department: Crew
Job/Role: Thanks
Name: Grant Morrison
Department: Crew
Job/Role: Thanks
Name: Nellie Burroughes
Department: Crew
Job/Role: Stunts
Name: Will Beall
Department: Writing
Job/Role: Story
Name: Dan Hirst
Department: Crew
Job/Role: Stunts
Name: Russell Balogh
Department: Crew
Job/Role: Stunts
Name: Dominic Capon
Department: Art
Job/Role: Set Decoration
Name: Andy Koyama
Department: Sound
Job/Role: Sound Re-Recording Mixer
Name: Mark Holt
Department: Visual Effects
Job/Role: Special Effects Supervisor
Name: Nina Armstrong
Department: Crew
Job/Role: Stunts
Name: Gary A. Hecker
Department: Sound
Job/Role: Foley Artist
Name: David Garrick
Department: Crew
Job/Role: Stunts
Name: Nick McKinless
Department: Crew
Job/Role: Stunts
Name: John Byrne
Department: Crew
Job/Role: Thanks
Name: Mort Weisinger
Department: Crew
Job/Role: Thanks
Name: David Anders
Department: Crew
Job/Role: Stunts
Name: Bob Haney
Department: Crew
Job/Role: Thanks
Name: Glenn Ennis
Department: Crew
Job/Role: Stunts
Name: Andy Wareham
Department: Crew
Job/Role: Stunts
Name: William Moulton Marston
Department: Writing
Job/Role: Characters
Name: Daniel Thomson
Department: Visual Effects
Job/Role: Rotoscoping Artist
Name: Randy Singer
Department: Sound
Job/Role: Foley Mixer
Name: Nick Chopping
Department: Crew
Job/Role: Stunts
Name: Evangelos Grecos
Department: Crew
Job/Role: Stunts
Name: Ken Crouch
Department: Costume & Make-Up
Job/Role: Costume Supervisor
Name: Peter James
Department: Art
Job/Role: Art Direction
Name: Albert Valladares
Department: Crew
Job/Role: Stunts
Name: Fabian Wagner
Department: Camera
Job/Role: Director of Photography
Name: Michael Hertlein
Department: Sound
Job/Role: Dialogue Editor
Name: Margit Pfeiffer
Department: Sound
Job/Role: Dialogue Editor
Name: Louise Simonson
Department: Crew
Job/Role: Thanks
Name: Ashley Beck
Department: Crew
Job/Role: Stunts
Name: Dacio Caballero
Department: Crew
Job/Role: Stunts
Name: Gardner Fox
Department: Writing
Job/Role: Characters
Name: Allison Klein
Department: Production
Job/Role: Researcher
Name: Damon Caro
Department: Crew
Job/Role: Stunt Coordinator
Name: Damon Caro
Department: Directing
Job/Role: Second Unit Director
Name: Steve Englehart
Department: Crew
Job/Role: Thanks
Name: Christian Huband
Department: Art
Job/Role: Supervising Art Director
Name: Terry Heggarty
Department: Art
Job/Role: Standby Painter
Name: Chuck Finch
Department: Lighting
Job/Role: Gaffer
Name: Michael J. Broomberg
Department: Sound
Job/Role: Foley Artist
Name: Helen Xenopoulos
Department: Art
Job/Role: Art Direction
Name: Jean-Philippe Gossart
Department: Camera
Job/Role: Second Unit Director of Photography
Name: David Werntz
Department: Sound
Job/Role: Sound Effects Designer
Name: Catherine Wilson
Department: Sound
Job/Role: Music Editor
Name: Joe Kennard
Department: Crew
Job/Role: Stunts
Name: Laurent Plancel
Department: Crew
Job/Role: Stunts
Name: Paul Laugier
Department: Art
Job/Role: Art Direction
Name: Kimi Webber
Department: Directing
Job/Role: Script Supervisor
Name: Clay Enos
Department: Camera
Job/Role: Still Photographer
Name: John Clothier
Department: Camera
Job/Role: "A" Camera Operator
Name: George Kirby
Department: Crew
Job/Role: Stunts
Name: Bob Kellough
Department: Sound
Job/Role: Sound Effects Designer
Name: Josh R. Jaggars
Department: Visual Effects
Job/Role: Visual Effects Producer
Name: John 'D.J.' Des Jardin
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Michelle Pazer
Department: Sound
Job/Role: ADR Editor
Name: David B. Nowell
Department: Camera
Job/Role: Aerial Director of Photography
Name: Tamara Watts Kent
Department: Visual Effects
Job/Role: Visual Effects Producer
Name: Phil Barrie
Department: Sound
Job/Role: Sound Effects Designer
Name: Adam De Coster
Department: Sound
Job/Role: Foley Artist
Name: Bryan Hirota
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Brad Sokol
Department: Sound
Job/Role: First Assistant Sound Editor
Name: Brad Sokol
Department: Sound
Job/Role: Assistant Sound Editor
Name: Liana Jackson
Department: Visual Effects
Job/Role: VFX Editor
Name: Hayley Easton Street
Department: Art
Job/Role: Art Direction
Name: Lauren Hadaway
Department: Sound
Job/Role: Supervising ADR Editor
Name: Lauren Hadaway
Department: Sound
Job/Role: Supervising Dialogue Editor
Name: Casey Genton
Department: Sound
Job/Role: Sound Effects Designer
Name: Jarrod Anderson
Department: Visual Effects
Job/Role: Creature Technical Director
Name: Shaun Freeman
Department: Visual Effects
Job/Role: Senior Animator
Name: Atsuo Fujiwara
Department: Visual Effects
Job/Role: VFX Artist
Name: Kevin Andrew Smith
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Andrea Wertheim
Department: Crew
Job/Role: Post Production Supervisor
Name: Andrea Wertheim
Department: Production
Job/Role: Associate Producer
Name: Curt Kanemoto
Department: Production
Job/Role: Executive Producer
Name: Kevin Labanowich
Department: Visual Effects
Job/Role: Senior Animator
Name: Joaquin Ludewig
Department: Visual Effects
Job/Role: VFX Artist
Name: Brett Schlaman
Department: Visual Effects
Job/Role: VFX Editor
Name: Sophie Worley
Department: Art
Job/Role: Art Department Coordinator
Name: Kate Ringsell
Department: Production
Job/Role: Casting
Name: Christina Low
Department: Crew
Job/Role: Stunts
Name: Anthony Skrimshire
Department: Crew
Job/Role: Stunts
Name: Jim Rowe
Department: Production
Job/Role: Executive Producer
Name: Jim Rowe
Department: Production
Job/Role: Unit Production Manager
Name: Jody Felz
Department: Costume & Make-Up
Job/Role: Costumer
Name: Matt Windon
Department: Camera
Job/Role: First Assistant "A" Camera
Name: Matthew Harrison
Department: Sound
Job/Role: Foley Editor
Name: Daniel Cruden
Department: Costume & Make-Up
Job/Role: Costumer
Name: Guiomar Alonso
Department: Crew
Job/Role: Stunts
Name: Adrian Thompson
Department: Visual Effects
Job/Role: VFX Artist
Name: Andrew Palmer
Department: Art
Job/Role: Art Direction
Name: Anders Langlands
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Ben Wilkinson
Department: Art
Job/Role: Property Master
Name: Ando Johnson
Department: Sound
Job/Role: Sound Effects Designer
Name: Matthew Clarke
Department: Production
Job/Role: Production Supervisor
Name: Ben Howard
Department: Directing
Job/Role: Second Assistant Director
Name: Gregor Wilson
Department: Production
Job/Role: Unit Production Manager
Name: Gregor Wilson
Department: Production
Job/Role: Co-Producer
Name: Maurice Lee
Department: Crew
Job/Role: Stunts
Name: Marianne Jenkins
Department: Production
Job/Role: Unit Production Manager
Name: Marianne Jenkins
Department: Production
Job/Role: Co-Producer
Name: Sebastien Francoeur
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Marc Wolff
Department: Crew
Job/Role: Pilot
Name: Estívaliz Zaragoza
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Matt Magnolia
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Jolie Stanford
Department: Crew
Job/Role: Stunts
Name: Alan Meyerson
Department: Sound
Job/Role: Scoring Mixer
Name: Lei Zhang
Department: Visual Effects
Job/Role: VFX Editor
Name: Bryan Haines
Department: Visual Effects
Job/Role: VFX Artist
Name: Paul Darnell
Department: Crew
Job/Role: Stunts
Name: Christian Scheurer
Department: Art
Job/Role: Concept Artist
Name: Bjoern Wortmann
Department: Visual Effects
Job/Role: Compositing Artist
Name: Sarah Franzl
Department: Crew
Job/Role: Stunts
Name: Bonnie Parker
Department: Crew
Job/Role: Stunts
Name: Nikhil Deshmukh
Department: Visual Effects
Job/Role: Senior Animator
Name: Simeon Duncombe
Department: Visual Effects
Job/Role: Animation Supervisor
Name: Warren Paeff
Department: Editing
Job/Role: Associate Editor
Name: Doug Spilatro
Department: Visual Effects
Job/Role: VFX Artist
Name: Justin A. Williams
Department: Crew
Job/Role: Stunts
Name: David Paris
Department: Crew
Job/Role: Aerial Coordinator
Name: John Casali
Department: Sound
Job/Role: Production Sound Mixer
Name: Georgina Armstrong
Department: Crew
Job/Role: Stunts
Name: Thomas Proctor
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Perry Goyen
Department: Costume & Make-Up
Job/Role: Key Costumer
Name: Jeanette Benzie
Department: Production
Job/Role: Casting Associate
Name: Paul Norris
Department: Crew
Job/Role: Thanks
Name: Harry Lampert
Department: Crew
Job/Role: Thanks
Name: Kristen Drewski
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: George Pérez
Department: Crew
Job/Role: Thanks
Name: John Broome
Department: Crew
Job/Role: Thanks
Name: Danny Euston
Department: Crew
Job/Role: Stunts
Name: Misha Bukowski
Department: Directing
Job/Role: First Assistant Director
Name: Adrian McGaw
Department: Crew
Job/Role: Stunts
Name: Ann Cartwright
Department: Costume & Make-Up
Job/Role: Costumer
Name: Carmine Infantino
Department: Crew
Job/Role: Thanks
Name: Matthew Rugetti
Department: Crew
Job/Role: Fight Choreographer
Name: Jason Oliver
Department: Sound
Job/Role: ADR Mixer
Name: Ian Kay
Department: Crew
Job/Role: Stunts
Name: Carlos Castillon
Department: Editing
Job/Role: Additional Editor
Name: Mens-Sana Tamakloe
Department: Crew
Job/Role: Stunts
Name: Rachael Evelyn
Department: Crew
Job/Role: Stunts
Name: Barry Liu
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Sachin Mathew
Department: Visual Effects
Job/Role: Senior Animator
Name: Theo Morton
Department: Crew
Job/Role: Stunts
Name: Lauren Okadigbo
Department: Crew
Job/Role: Stunts
Name: Curtis Corona
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Tom Rodgers
Department: Crew
Job/Role: Stunts
Name: Robert McKinnon
Department: Art
Job/Role: Concept Artist
Name: Jiayin Wang
Department: Visual Effects
Job/Role: Visual Effects Technical Director
Name: Joanna Bennett
Department: Crew
Job/Role: Stunts
Name: Viveene Campbell
Department: Costume & Make-Up
Job/Role: Costumer
Name: Ian Pead
Department: Crew
Job/Role: Stunts
Name: Belinda McGinley
Department: Crew
Job/Role: Stunts
Name: Jonathan Beard
Department: Sound
Job/Role: Orchestrator
Name: Rodrigo Dorsch
Department: Visual Effects
Job/Role: Compositing Supervisor
Name: James O'Daly
Department: Crew
Job/Role: Stunts
Name: Giuseppe Tagliavini
Department: Visual Effects
Job/Role: Compositing Supervisor
Name: Andrew Gwyn Davies
Department: Production
Job/Role: Production Coordinator
Name: Rémi Prouzat
Department: Visual Effects
Job/Role: CG Artist
Name: Erol Ismail
Department: Crew
Job/Role: Stunts
Name: John Ringhoff
Department: Art
Job/Role: Textile Artist
Name: James Van Der Reyden
Department: Crew
Job/Role: Motion Capture Artist
Name: Gabor Kerekes
Department: Costume & Make-Up
Job/Role: Makeup & Hair
Name: Andy Chih-Jen Chang
Department: Visual Effects
Job/Role: Compositing Supervisor
Name: Clement Yip
Department: Visual Effects
Job/Role: Animation Supervisor
Name: Dan Jones
Department: Lighting
Job/Role: Gaffer
Name: Curtis Carlson
Department: Visual Effects
Job/Role: Compositing Supervisor
Name: Shane Cook
Department: Visual Effects
Job/Role: Compositing Lead
Name: Reg Wayment
Department: Crew
Job/Role: Stunts
Name: Zack Fox
Department: Visual Effects
Job/Role: Visual Effects Production Manager
Name: Maria Hippolyte
Department: Crew
Job/Role: Stunts
Name: Alexander Seaman
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Wolfgang Haas
Department: Visual Effects
Job/Role: Animation
Name: Thomas J. O'Connell
Department: Sound
Job/Role: ADR Mixer
Name: Ioan Boieriu
Department: Crew
Job/Role: CG Supervisor
Name: Shamus Baker
Department: Visual Effects
Job/Role: Modeling
Name: Sam Leake
Department: Art
Job/Role: Art Direction
Name: Chris Mulcaster
Department: Crew
Job/Role: CG Supervisor
Name: Kevin Kohri
Department: Visual Effects
Job/Role: Lead Animator
Name: Robin Williams
Department: Visual Effects
Job/Role: Visual Effects Production Manager
Name: Jonathan D. Martin
Department: Visual Effects
Job/Role: VFX Editor
Name: Roy Seeger
Department: Sound
Job/Role: First Assistant Sound Editor
Name: Sean Dsouza
Department: Visual Effects
Job/Role: VFX Lighting Artist
Name: Jong Jin Choi
Department: Lighting
Job/Role: Lighting Director
Name: Edward Trybek
Department: Sound
Job/Role: Orchestrator
Name: Rodrigue El Hajj
Department: Visual Effects
Job/Role: Visual Effects Technical Director
Name: Mike Soppit
Department: Visual Effects
Job/Role: VFX Editor
Name: Phoebe Robinson-Galvin
Department: Crew
Job/Role: Stunts
Name: Nicholas Daines
Department: Crew
Job/Role: Stunts
Name: Madison Ainley
Department: Production
Job/Role: Associate Producer
Name: Vincent Désilets
Department: Visual Effects
Job/Role: Senior Animator
Name: Tolga Kenan
Department: Crew
Job/Role: Stunts
Name: Andy Stallabrass
Department: Sound
Job/Role: ADR Mixer
Name: Mike Stillwell
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Alexandra Robert
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Andrew Burford
Department: Crew
Job/Role: Stunts
Name: Justin Lee
Department: Crew
Job/Role: Systems Administrators & Support
Name: Andrea Krupp
Department: Visual Effects
Job/Role: Compositing Artist
Name: Jaeil Seo
Department: Visual Effects
Job/Role: Matte Painter
Name: Yoann Schmid
Department: Visual Effects
Job/Role: VFX Lighting Artist
Name: Anita Dhillon
Department: Art
Job/Role: Graphic Designer
Name: Sullivan Richard
Department: Visual Effects
Job/Role: Matte Painter
Name: Yannick Lorvo
Department: Visual Effects
Job/Role: Senior Generalist
Name: Joe Certa
Department: Crew
Job/Role: Thanks
Name: Robert Kanigher
Department: Crew
Job/Role: Thanks
Name: Joe Samachson
Department: Crew
Job/Role: Thanks
Name: Curt Swan
Department: Crew
Job/Role: Thanks
Name: Zygimantas Kucas
Department: Visual Effects
Job/Role: VFX Artist
Name: Neil Chapelhow
Department: Crew
Job/Role: Stunts
Name: Lucian Boicu
Department: Visual Effects
Job/Role: Compositing Supervisor
Name: Jools Faiers
Department: Art
Job/Role: Graphic Designer
Name: Vladislav Akhtyrskiy
Department: Visual Effects
Job/Role: Compositing Lead
Name: Lee Gren
Department: Costume & Make-Up
Job/Role: Tattoo Designer
Name: Maxine Whittaker
Department: Crew
Job/Role: Stunts
Name: Joel Delle-Vergin
Department: Visual Effects
Job/Role: Compositing Lead
Name: Ben Anderson
Department: Visual Effects
Job/Role: Animation Supervisor
Name: Annabel Wood
Department: Crew
Job/Role: Stunts
Name: Bradley Farmer
Department: Crew
Job/Role: Stunts
Name: Matt Da Silva
Department: Crew
Job/Role: Stunts
Name: Oliver Gough
Department: Crew
Job/Role: Stunts
Name: Cedric Enriquez Canlas
Department: Visual Effects
Job/Role: Senior Modeller
Name: Matt Fitzgerald
Department: Visual Effects
Job/Role: Senior Modeller
Name: Matthew Bullock
Department: Visual Effects
Job/Role: Modelling Supervisor
Name: Belle Williams
Department: Crew
Job/Role: Stunts
Name: Brett Robinson
Department: Directing
Job/Role: Second Assistant Director
Name: Sonny Louis
Department: Crew
Job/Role: Stunts
Name: Emanuele Pescatori
Department: Visual Effects
Job/Role: Creature Technical Director
Name: Troy Kenchington
Department: Crew
Job/Role: Stunts
Name: Freddie Mason
Department: Crew
Job/Role: Stunts
Name: Pete Ford
Department: Crew
Job/Role: Stunts
Name: Jean-Yves Teillet
Department: Visual Effects
Job/Role: Senior Generalist
Name: Mark Archer
Department: Crew
Job/Role: Stunts
Name: Gary Kane
Department: Crew
Job/Role: Stunts
Name: Rob Cooper
Department: Crew
Job/Role: Stunts
Name: Jack Jagodka
Department: Crew
Job/Role: Stunts
Name: Kelly Dent
Department: Crew
Job/Role: Stunts
Name: Aldonio Danny Frietas
Department: Crew
Job/Role: Stunts
Name: Robert Hladik
Department: Crew
Job/Role: Stunts
Name: Andreas Vincent Weber
Department: Visual Effects
Job/Role: Compositing Artist
Name: Imran Ahmed Raichuri
Department: Visual Effects
Job/Role: VFX Artist
Name: Kathy Heaser
Department: Art
Job/Role: Graphic Designer
Name: Camilo Duarte Franco
Department: Visual Effects
Job/Role: Senior Animator
Name: Joey Amron
Department: Editing
Job/Role: First Assistant Editor
Name: Evan Fraser
Department: Visual Effects
Job/Role: Matchmove Supervisor
Name: Tricia Mulgrew
Department: Visual Effects
Job/Role: Visual Effects Producer
Name: Matt Sherren
Department: Crew
Job/Role: Stunts
Name: Jerome McCann
Department: Sound
Job/Role: Sound Mixer
Name: Jessica Hooker
Department: Crew
Job/Role: Stunts
Name: Hasit Savani
Department: Crew
Job/Role: Stunts
Name: Christian Ganea Reitmeier
Department: Editing
Job/Role: Colorist
Name: Daniel Abbott
Department: Camera
Job/Role: Best Boy Grip
Name: Richard Wheeldon
Department: Crew
Job/Role: Stunts
Name: Robbie Keane
Department: Crew
Job/Role: Stunts
Name: Yusuf Chaudhri
Department: Crew
Job/Role: Stunts
Name: Gabriela Gomez
Department: Directing
Job/Role: Script Supervisor
Name: Adam Basil
Department: Crew
Job/Role: Stunts
Name: Anna Stephenson
Department: Crew
Job/Role: Stunts
Name: Sarah Brest
Department: Costume & Make-Up
Job/Role: Costume Mistress
Name: Elliot Hawkes
Department: Crew
Job/Role: Stunts
Name: Will Mackay
Department: Crew
Job/Role: Stunts
Name: Madison Weireter
Department: Production
Job/Role: Associate Producer
Name: Venice Smith
Department: Crew
Job/Role: Stunts
Name: Ingrid Kleinig
Department: Crew
Job/Role: Stunts
Name: Stephen Tong
Department: Crew
Job/Role: CG Supervisor
Name: Mathew Praveen
Department: Crew
Job/Role: CG Supervisor
Name: Aditya Menon
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Jan Holíček
Department: Crew
Job/Role: Stunts
Name: Stewart James
Department: Crew
Job/Role: Stunts
Name: Buddie Wilkinson
Department: Art
Job/Role: Props
Name: James Slattery
Department: Editing
Job/Role: Colorist
Name: Sue Casey
Department: Costume & Make-Up
Job/Role: Key Costumer
Name: Grace Franzl
Department: Crew
Job/Role: Stunts
Name: Simone Ceresato
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Martin Wilde
Department: Crew
Job/Role: Stunts
Name: Zoé Denis
Department: Directing
Job/Role: Script Coordinator
Name: Julius Lechner
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Oscar Lacson Jr.
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Lewis Young
Department: Crew
Job/Role: Stunts
Name: Karen Teoh
Department: Crew
Job/Role: Stunts
Name: Jonny Stockwell
Department: Crew
Job/Role: Stunts
Name: Sam Stefan
Department: Crew
Job/Role: Stunts
Name: Karen Smithson
Department: Crew
Job/Role: Stunts
Name: Olivia Slee
Department: Crew
Job/Role: Stunts
Name: Moe Sasegbon
Department: Crew
Job/Role: Stunts
Name: Michaela Salasova
Department: Crew
Job/Role: Stunts
Name: Michaela Salamounova
Department: Crew
Job/Role: Stunts
Name: Shane Roberts
Department: Crew
Job/Role: Stunts
Name: William Ramsay
Department: Crew
Job/Role: Stunts
Name: Cboy Ramsay
Department: Crew
Job/Role: Stunts
Name: Kierron Quest
Department: Crew
Job/Role: Stunts
Name: Tilly Powell
Department: Crew
Job/Role: Stunts
Name: Rubie Planson
Department: Crew
Job/Role: Stunts
Name: Charlie Pawlett
Department: Crew
Job/Role: Stunts
Name: Alan Ormrod
Department: Crew
Job/Role: Stunts
Name: Jo Mersh
Department: Crew
Job/Role: Stunts
Name: Jonny James
Department: Crew
Job/Role: Stunts
Name: Dee Harrop
Department: Crew
Job/Role: Stunts
Name: Jamie Goulding
Department: Crew
Job/Role: Stunts
Name: Ryan Godfrey
Department: Crew
Job/Role: Stunts
Name: Heidi Dickson
Department: Crew
Job/Role: Stunts
Name: Michael J. Craven
Department: Crew
Job/Role: Stunts
Name: Christoph Cordell
Department: Crew
Job/Role: Stunts
Name: Adam Bowman
Department: Crew
Job/Role: Stunts
Name: Thomas Billings
Department: Crew
Job/Role: Stunts
Name: Christiaan Bettridge
Department: Crew
Job/Role: Stunts
Name: Ekaterina Abramova
Department: Crew
Job/Role: Stunts
Name: Ben Wright
Department: Crew
Job/Role: Stunts
Name: Ramon Álvarez
Department: Crew
Job/Role: Stunts
Name: Dominique Cheung
Department: Camera
Job/Role: Second Assistant "B" Camera
Name: Abigail Catto
Department: Camera
Job/Role: Second Assistant "A" Camera
Name: Ben Sumner
Department: Visual Effects
Job/Role: VFX Artist
Name: Daniel Rawlins
Department: Crew
Job/Role: Stunts
Name: Yves Ruprecht
Department: Visual Effects
Job/Role: Senior Animator
Name: Adeline Pizzato
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Mike Justice
Department: Crew
Job/Role: Stunts
Name: Richard Ewan
Department: Art
Job/Role: Lead Painter
Name: Wayne Nembhard
Department: Costume & Make-Up
Job/Role: Hairdresser
Name: Ben Bigiel
Department: Visual Effects
Job/Role: Modeling
Name: Alex King
Department: Crew
Job/Role: Picture Car Coordinator
Name: James Harris
Department: Crew
Job/Role: Stunts
Name: Anna Mudrak
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Yeri Casanova
Department: Visual Effects
Job/Role: Visual Effects Coordinator
Name: Tom Norman
Department: Visual Effects
Job/Role: VFX Artist
Name: Autumn Snyder
Department: Crew
Job/Role: In Memory Of
Name: Juliet Reeve
Department: Crew
Job/Role: Stunts
Name: Fabio Santos
Department: Crew
Job/Role: Stunts
Name: Jon Bogdanove
Department: Crew
Job/Role: Thanks
Name: Shawn Martinbrough
Department: Crew
Job/Role: Thanks
Name: Jack Miller
Department: Crew
Job/Role: Thanks
Name: Howard Porter
Department: Crew
Job/Role: Thanks
Name: Howard Purcell
Department: Crew
Job/Role: Thanks
Name: Nicola Scott
Department: Crew
Job/Role: Thanks
Name: Joe Staton
Department: Crew
Job/Role: Thanks
Name: Ethan Van Sciver
Department: Crew
Job/Role: Thanks
Name: Jason Evanko
Department: Visual Effects
Job/Role: VFX Artist
Name: Marc-Antoine Lamy
Department: Visual Effects
Job/Role: Visual Effects Production Assistant
Name: Adam Baker
Department: Lighting
Job/Role: Lighting Programmer
Name: Thomas Dos Santos
Department: Visual Effects
Job/Role: 3D Generalist
Name: Khizer Diwan
Department: Visual Effects
Job/Role: 3D Modeller
Name: Louis Morisset
Department: Visual Effects
Job/Role: Animation
Name: Christof Reisenegger
Department: Visual Effects
Job/Role: Animation
Name: David Denley
Department: Crew
Job/Role: CG Supervisor
Name: Daniel Lupien
Department: Crew
Job/Role: CG Supervisor
Name: Manuel Bruder
Department: Visual Effects
Job/Role: Compositing Artist
Name: Mareike Janik
Department: Visual Effects
Job/Role: Compositing Artist
Name: Adrian Liedtke
Department: Visual Effects
Job/Role: Compositing Artist
Name: Constantin von Zitzewitz
Department: Visual Effects
Job/Role: Compositing Artist
Name: Tim Tretter
Department: Visual Effects
Job/Role: Compositing Artist
Name: Tobias Dommer
Department: Visual Effects
Job/Role: Compositing Artist
Name: Mikhail Mamedov
Department: Visual Effects
Job/Role: Creature Technical Director
Name: Kanad Nandi
Department: Visual Effects
Job/Role: Key Animation
Name: Jon Balcome
Department: Visual Effects
Job/Role: VFX Lighting Artist
Name: Keesu Park
Department: Visual Effects
Job/Role: VFX Lighting Artist
Name: Mae Caupit
Department: Visual Effects
Job/Role: VFX Lighting Artist
Name: Alec Geldart
Department: Visual Effects
Job/Role: Matte Painter
Name: Ian Vicknair
Department: Visual Effects
Job/Role: Matte Painter
Name: Sanyam Basran
Department: Visual Effects
Job/Role: Modeling
Name: Samuel Tremblay
Department: Visual Effects
Job/Role: Rotoscoping Artist
Name: Julian Payne
Department: Visual Effects
Job/Role: Rotoscoping Artist
Name: Dharmik Mehta
Department: Visual Effects
Job/Role: Rotoscoping Artist
Name: Ryan Coleman
Department: Visual Effects
Job/Role: Rotoscoping Artist
Name: Barbra See Wai Ho
Department: Visual Effects
Job/Role: Rotoscoping Artist
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Reviews Section
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com After years of outstanding effort from passionate fans, Warner Bros. finally decided to give Zack Snyder the opportunity to finish his movie on his own terms. 2017's Justice League went through massive production issues - explained in my review of said film - and despite years of extremely tiresome, toxic discourse on social media, the famous Snyder Cut got a controversy-inducing budget to complete an undoubtedly unfinished cut. A crucial disclaimer: you'll see countless reviews based on wholly different approaches. Some people will review it as a standalone, regular movie, while others will look at it as an extended/alternate cut of a film previously released. I'm part of the latter group of reviewers. I find it a bit unfair to criticize pacing issues or an overlong runtime when the purpose of this cut is precisely to show everything Snyder had in his hand. Director/Extended/Ultimate Cut, call it what you feel it's appropriate, but it's a four-hour movie, so many scenes will inevitably drag or feel unnecessary and irrelevant. The narrative is fundamentally the same, which means the audience knows what's coming from a general perspective. Still, I'm reviewing this version mostly on its own merits, but without forgetting that it's not a regular theatrical film and that it unquestionably builds upon what was already released. Without getting into spoilers, I do have to write this: the heavy marketing was incredibly misleading, and I don't doubt for a second that many fans will feel disappointed regarding certain story points and particular characters. The whole "it's a totally distinct movie" or "Joss Whedon only used 10% of Snyder's footage" were nothing more than false publicity for a cut that honestly didn't need it. Out of the 119 minutes of the 2017's version, probably around 80/90 minutes are also in the Snyder Cut, which will be surprising for people who expected something entirely unique. The base of the narrative is identical, most scenes are just extended versions of the original, but there are a couple of significant new changes that ultimately make Zack Snyder's Justice League better than its "predecessor". The most impactful modification that drastically changes the emotional core of the film is about Cyborg. Ray Fisher's character goes from barely having any remotely significant screentime in 2017 to being the heart and soul of the movie. From his backstory to the development across the runtime, Cyborg is undoubtedly the superhero that gains the most with this cut, leaving as a complete, compelling character who I genuinely cared for. On the other hand, Aquaman and The Flash receive similar introductory scenes with Batman, barely getting any sort of new individual growth besides more action sequences. However, once the League is assembled, the character interactions increase, improving their team spirit and deeply elevating the "Us United" storyline. The humor and tone remain lighter than in other Snyder films, clearly something that the filmmaker always had in mind for his version (Whedon only added a couple of more jokes since most of them are present in this cut). The intimidating runtime does negatively affect the overall pacing, but the longer build-ups and extensive dialogue scenes make the full movie much more cohesive and coherent. Compared to the original's abrupt, awful editing work, the Snyder Cut has a tremendously better flow, giving time for information to sink in and characters to get used to each other. I rather watch an overlong film with a well-built story than the complete contrary. Some color changes and tone adjustments also improve the movie's consistency. Story-wise, besides the fantastic arc given to Cyborg, there are a couple of changes that heavily affect either a particular character or a secondary storyline, but when it comes to the main narrative, it's more or less about the same. Every action sequence with pre-existent footage is visually improved and extended with scenes not seen before, but the new VFX are as hit-and-miss as Junkie XL's score. The latter mixes up so many different types of tracks and music that it genuinely becomes a tad confusing. While some scenes get an absolutely perfect, epic soundtrack, others receive weird, out-of-place music distracting the scene itself. There's only one change I definitely dislike: the R rating brings horribly artificial, forced blood splashes and out-of-nowhere cursing that simply don't belong in the film. I know Snyder loves his gritty, bloody, gory action - as do I - but either the whole movie is consistent with this type of action, or some scenes will feel like they come from a wholly separate film. A few bloody sequences work well enough, but most just feel notably forced, while the cursing feels ridiculously out-of-character at points. It's by far the most incompatible aspect of the cut, but admittedly, one that doesn't heavily impact my opinion. A common issue I have with extended cuts is that these mostly add and rarely remove. Snyder Cut partially breaks that rule, removing some scenes from the 2017's version, supposedly only Whedon's footage (which some people wrongly believe to be almost the entire movie). While most of the decisions regarding this process are efficient, there's a couple of them that not only don't improve the respective storylines but actually make them less powerful than the theatrical film. For example, in Snyder Cut, the "bringing Superman back" arc lacks an important character's take on the situation, having in mind that character's past. It actually feels a bit out-of-character that the viewers don't get to see what that person thinks about a potentially devastating action. Regarding Steppenwolf, his design looks better than the terrible original, and his motivations are clearer, but unfortunately, he remains a generic CGI punching bag for our superheroes. His dynamic armor is packed with spikes, but it's really one of those designs with visual impact only since it has no effect whatsoever in battle. I can't get into spoilers about Darkseid or DeSaad, but I can safely write that these characters are nothing more than fan-service, just like Joker (Jared Leto). The ending is definitely the sequence that changes the most due to the addition of dozens of new/extended action scenes, and it does play out differently - though the conclusion is essentially the same - leaving the viewers with a menacing threat on the horizon. Zack Snyder's Justice League is arguably a more cohesive, consistent, and emotionally compelling movie than the 2017's version. As expected, its four-hour runtime causes pacing issues and possesses dozens of unnecessary, irrelevant scenes, but criticizing these aspects in an admittedly non-theatrical cut is unfairly defeating its purpose. Despite most of the original Justice League being present in the Snyder Cut - something that might surprise a few fans - the main narrative is built and developed through a structure that flows tremendously better than the previous edition. Cyborg becoming the emotional core of the story and the increased character interactions are some of the best changes Zack Snyder and Chris Terrio did. The extended action sequences are more riveting, and pre-existent footage is definitely improved, but the new VFX are as erratic as Junkie XL's all-over-the-place score. The R-rating is the only straight-up negative aspect that damages the film with highly forced, fake-looking blood and rare yet cringe-worthy cursing. Highly anticipated characters and/or storylines are better described as unimpactful fan-service, but overall, most of the decisions made vastly improve upon what was already built. In the end, I sincerely expect a significant majority of the fandom to get their expectations fulfilled, and I hope that the DCEU continues with Snyder involved - just as long as the studios leave filmmakers to do their job without nonsensical restrictions. Rating: B
Definitely an improvement over the Whedon version and as a DC fan, enjoyed plenty of the character moments (and the addition of MM) but the story did feel off even though the film is nearly four hours long, in addition the alternate timeline part at the end felt tacked on and unnecessary. The visual effects looked like something from a video game but I can forgive that since I'd imagine it'd cost an additional $100M to make it look cleaner and more realistic. Given what Snyder had to work with and the fact in reality the studio should've been patient and given him and his family to mourn and re-group later, I am glad this did become a reality, shame that outside of maybe The Flash movie there won't be a follow-up with Darkseid. **3.5/5**
This is DC's best so far...easily. Although not flawless- there are a couple of scenes that didnt need to be included - this is the version that we needed to see. There is so much more time given to the characters in this, the plot is better thought out and structured, and Steppenwolf is no longer a joke. There is actually an urgency in his battles with the JL now. And OMG, Darkseid and Desaad look and sound boss. The recruitment is harder, the fight between the JL and Supes and then the JL and Steppenwolf is more brutal, and Superman's 'recovery' is better paced and makes more sense. This also follows directly on from BVS and links directly into Aquaman. And the closing cover of Hallelujah is glorious (it near comes close to Jeff Buckley's angelic version) It's flaws - Timing of release - I need to watch this in a cinema. FU WB for not giving Snyder the time to finish this as he envisioned. THIS is what we should have gotten, not the tripe that was Josstice League. This movie shows that Snyder was not just trying to catch up to Marvel, he was their own version of their stories and it should have been allowed to come to the end of the cycle. Also, I was underwhelmed by the score and would have loved Zimmer to have returned to complete this. And there are a couple of initial set-up scenes that could have been let go or shortened and the gapping continuity error scene in the middle where the JL get introduced to Alfred after theyve already met him should have just been left out. But we got what we asked for - the Snyder Cut in its entirety. And I am grateful for that...thankyou. Now, could we please create ZSJL2 so we can see the Injustice and Darkseid stories.
I really, really REALLY wasn't expecting this - it felt like the extended edition of Lord of the Rings, if Zack Snyder directed it! No, this was Zack Snyder's vision of Justice which we should've seen, if it wasn't for Joss Whedon hadn't pissed all over it. I mean, I understand why Snyder had to pull out the production, I really do, but Whedon could've had the decency to keep to heart on Snyder's work. Looking back, it was a total disrespect to the visionary director. This film...wow! It was truly and 100% amazed me. Plus, my best highlight was the voiceover of of Superman's dads Johnathan and Jor-El reminding him of who is he - it felt poignant. That said, a couple of things I feel I must complain about this, just small things; 1) I noticed Mera had a change of accent. Probably an original idea, but it sounded funny especially soon after 2018 Aquaman was released. 2) Victor Stone's dad Silas sacrificed himself - not only was it upsetting but it changes everything for the future of DCEU films. I guess this means they;ll have to rewrite everything for that Cyborg movie! At least we got the introduction of the Joker (Jared Leto reprising his role) as well as the (not so) surprising twist of the Martian Manhunter! Not to mention we finally got to see the appearance of Darkseid - it was all like a fusion of 300's Persian empire and LOTR's Sauron! In the end, this was a true masterpiece from Zack Snyder, since Watchmen and Sucker Punch, and I am so pleased - no, grateful this was made. I thank not just the director himself for returning to this project but also the many fans who petitioned this director's cut to happen. For once, we finally had something good out of all this chaos that was covid 19, hence why they chose the song Hallelujah for their Snyder cut trailer! Thank you so much, Zack Snyder - you have always been my fav movie director. Joss Whedon, you are officially dead to me!
10/10 this is absolutely fantastic, just 1 word, #RestoreTheSnyderVerse
I don't understand why people are getting so horned up over this movie. It's got the exact same plot as the theatrical cut, but it's longer and more drawn out with unnecessary slow-motion and scenes that any editor worth their salt would have cut out (like Aquaman's Icelandic singers). And what we're left with? Darkseid gets his ass kicked and then forgets he was ever on Earth. Hardly anything spectacular. Steppenwolf's armor now looks like something designed by early 90s Rob Liefeld, which is not at all a compliment. The Cyborg stuff was pretty good for the most part, although the sequence with the single mother was just as pointless as Whedon's Russian family and there was absolutely no logical reason why his father had to sacrifice himself. But Snyder is a fan of fathers sacrificing themselves when there is absolutely no logical reason for it (see Jonathan Kent in Man of Steel). So what else is there? "Superman wears the black suit!" Okay...and...? It's just a black version of his usual suit, there's no story reason why he wears it, and it looks like Snyder intended for him to keep on wearing it. Which is stupid and doesn't fit that character at all. And amusingly enough, I see some of the people freaking out about this who in the 90s would have lost their shit if Tim Burton's black-suited Superman movie ever got made. We also have Wonder Woman splattering bad guy brains over walls and vaporizing people RIGHT IN FRONT OF LITTLE KIDS! And once Steppenwolf is clearly defeated, Superman heat visions off part of his head FOR ABSOLUTELY NO REASON OTHER THAN CRUELTY! This is what people are all pumped up for? To see Superman and Wonder Woman go all Abu Ghraib on people? Oh, and we get the Martian Manhunter. Who clearly knows everything that's happening, BUT DOESN'T LIFT A GODDAMN FINGER TO HELP OUT! Martian Manhunter, it should be added, IS ABOUT AS POWERFUL AS SUPERMAN! But does he turn up at the Batcave to say, "You could probably use my help"? No, he just hangs back, impersonates Martha Kent, and then only shows up to offer his help AFTER THE THREAT HAS BEEN DEFEATED! Gee, J'onn, maybe we could have used you back when Steppenwolf WAS FLAT-OUT MURDERING PEOPLE! This movie takes one of the greatest Justice Leaguers of all, a character who has always been a model of selflessness, and turns him into a coward who sits on the sidelines. And then of course we get the Knightmare sequence, where we get to be subjected once more to Jared Leto's absolutely godawful Joker performance, Batman drops an F-bomb because idiot fanboys with the emotional maturity of a 12-year-old think that's "badass," and Snyder basically riles up his little cult so they can start harassing people about #RestoreTheSnyderverse. This whole endeavor was nothing other than a reward for the absolute worst and most toxic elements of fandom. And now that they've gotten this victory? They're going to be ten times as awful. Because now they've had their tactics validated.
Admittedly, I don’t know as much about DC as I do about Marvel. However, I’m fairly well versed in them and the Justice League is my favorite DC team. When it was announced that DC would come out with a Justice League movie after the Avengers, I had hope...that is until I learned that they’d be doing a team movie first and individual movies afterward. This is the exact opposite of what Marvel did. During the production of the first movie, Zack Snyder had the incredibly unfortunate disposition of learning that his daughter had committed suicide. Understandably, he took a break from the movie. Because Warner executives don’t understand anything, they went on with the production. Hiring Joss Whedon to finish the production, the final product was lackluster at best. In typical Zack Snyder style, it was more flash than substance. After it came out, Zack went public and said that the movie was nowhere near his final vision. Not long after this, the hashtag #releasethesnydercut was trending on Twitter. Four years later, the director’s cut was completed and we got a monstrosity of a movie. Now the true question is “Was this movie worth the hype?” Honestly...not really. Now I write this from the point of view of one who’s been a comic book fan for 32 years. Also realize that there are MANY stories that I haven’t read and equally as many storylines that I’m ignorant to. However, I understand the characters. I’m a firm believer that character develops story. George Lucas said: “A Special effect without a story is a pretty boring thing.” This is a lesson that Zack Snyder has never learned. Now, Joss Whedon gave us an amazing movie with The Avengers - and that’s the only comparison that I’ll make - so it’s possible that WB wanted some of that lightning in a bottle for JL and that’s why they brought him on. When Ray Fisher went public and said that Joss created a hostile work environment (as well as one of the producers), the way it was presented was that he didn’t get things that he wanted, so he’d complain. I’m glad to admit that I was wrong in that assumption. Ray actually opened the floodgates against Joss and it turns out that he’s not a good person - he’s a great writer and filmmaker, but that doesn’t make up for his behavior. This is relevant (and the last time I’ll mention it) because a good portion of this movie has Cyborg in it. The majority of his scenes were heavily cut from the first movie. Like 90% majority. I appreciate Zack wanting his vision to get out - every director has the right to tell a story the way they want to - but I wish that he’d step away from the writing process. He’s a great filmmaker but not a great storyteller. He needs a writer that has synergy with him. That being said, the special effects are very well done, although I REALLY wish the comics would have been honored better. Simple things like the way the Boom Tubes were portrayed would have been great fan service. Also, the boxes are FATHER Boxes. A Mother Box is a little bit larger than a cellphone. Father Boxes are used for evil on Apokolips and the Mother Box is used for good on New Genesis. If a feministic agenda caused that change, then I disagree with the studio’s decision and a quick 15-second explanation (like what I just did) would have solved that problem and added more to the plot (all the while giving a nod to the New Gods). Yes, I’m critical but it’s important. My favorite of the cast is Gal Gadot. She captures the essence of Wonder Woman perfectly. I also like Ben Affleck as Batman - I’ve always supported him in the role and he does a really good job with it. In fact, he’s second only to MIchael Keaton. Now this is where I’m probably going to get a lot of hate, so if if happens...bring it on… EVERYONE else in the cast I hate. EVERYONE. Ezra Miller is easily the worst Barry Allen ever. He’s supposed to be Barry, but he acts like an immature Wally. Absolutely terrible. I HATE Henry Cavill as Superman. He’s bottom of the list for me. I think Man Of Steel sealed that opinion for me, but he’s just terrible. His suit in this was sharp, so I’ll give credit where it’s due. Ray Fisher actually didn’t do a terrible job as Cyborg, but I’d never put Cyborg in the Justice League. If they wanted a robot-type character, they could have easily used Red Tornado. Jason Momoa is just awful. He’s not Aquaman. I don’t care that he doesn’t have blond hair. He doesn’t fit the role. It would have been much better if he was cast as Lobo. He’s a much better fit there. We also get a brief cameo by another Justice Leaguer that was a wasted opportunity but sets up a sequel that will probably never happen. I understand that Zack likes big spectacular shots in his movies. I understand that he wants these heroes to be larger than life. However, his style is very arthouse - there’s absolutely nothing wrong with that. There’s quite a few superheroes that would benefit from that style of filmmaking. These aren’t those superheroes. Zack needs to understand that many times less is more. Ultimately, this movie is an anomaly. It’s an improvement on the first movie, but it’s not better. It tried to do so much, but had the individual hero movies come out first, there would have been so much more to the story. Instead, everything is crammed into this four hour long beast that doesn’t accomplish as much as it wanted. Because of the improvements, and only because of the improvements I can only give this a 3 out of 5.
Say what you want about this movie! It's great and everything. But what do you say about this app? I think you guy should hire this one. He's a keeper.
Ok lets clear stuff up before hand. It's still the same movie with extra scenes. There alot of friction from which was good and bad or bad to worse. at the end its all about personal taste. Zack Snyder version was better covering the story of each character we have not seen in the series, but he also did stretch it out for so long that the movie hinges on to long. But overall a good movie just longer.
_Zack Snyder's Justice League_ is able to turn one of the worst superhero movies of all time into a fantastic film filled with great action, heart, and depth. The original 2017 _Justice League_ cut was unbearable to watch, each line of dialogue felt out of place and extremely corny. I was physically cringing at almost every scene. These problems are completely wiped away in the Snyder Cut allowing for a more character focused and emotional telling of the dawn of the Justice League. The entire film is completely different, with scenes completely cut and the order adjusted to have a more organic viewing experience. With a runtime of four hours, I was really nervous of feeling bored or the movie having a large amount of filler to pad the runtime, but that is not the case. Each scene is crafted perfectly to deliver important character depth, allowing the viewer to gain an emotional connection with each of our heroes. Cyborg, Flash, and Aquaman all have very fleshed out introductions, giving the audience a glimpse of their motivations and struggles living in a world with their powers. Cyborg has a tremendous arc with his struggling relationship with his father, which gets great pay off in the end of the film. The Flash feels grounded too with his motivation for fighting crime to help prove his father's innocence. With this new perspective and tone, his quips feel more like that of an immature kid (much like Spider-Man) rather than infused comedy that was forced by the corporate overlords. Batman and Wonder Woman are great in this film, with each giving arguably their best performance as their respective characters. Batman feels like a man who has truly learned from his past mistakes and wants to gather and lead his team rather than divide. Wonder Woman is a confident bad-ass Amazon who's heartfelt and understanding presence is the glue that holds the team together. Aquaman does not have all that much of an arc in this film but has a great lead into his solo movie which is noteworthy. Not only are the hero's more fleshed out but so are the villains. Steppenwolf has an actual motivation that the audience can sympathize with and understand. This leads him to feel more genuine in his conquest to take over the world. Steppenwolf plays really well with the backdrop of Darkseid who is looming in the background of every scene of our villain. It really creates a relationship akin to the Emperor and Darth Vader. The introduction of the life equation adds much more stakes and an emphasis on what the conquest is actually about. The action in this movie is great. The R rating added more room for the scenes to be more brutal and visceral with blood and gore, and even a beheading! While the majority of the film had pretty decent CGI, there were a few scenes that looked really out of place. Especially the ones with Darkseid and his lackies, which reminded me of a character straight out of a PS2 game. This largely had to do with the limited budget and time constraints the Synder Cut was given. This film delivers on Zach Snyder's vision of Justice League, and I am so happy it exists. Although it also brings a sense of sadness as well, because the movie sets up for so much potential for the DCEU and now that future has all but vanished. **Score:** _88%_ **Verdict:** _Excellent_
Yes it IS better than the previous version. There are parts I was a little bored with. There are some characters that were OVER embellished and OVER acted. It was good seeing Wonder Woman move fast ... However Zack musta not known that she CAN fly now thanks to WW84. I was annoyed half the time by Ezra's portrayal of Barry Allen ... But impressed with Cyborg being so much more in depth. For all the hype of DarkSeid ... He fell flat for me... And Steppenwolf was hard to look at sometimes... Being too much CGI. I love seeing the battles with Amazons, Atlantians, and Men vs DarkSeid. I hated Amber Heard period. All that teasing of the Joker for a small 5 minute nightmare scene with Batman being a total jerk was a little let down but Jared Leto played it so perfectly it made me want MORE. Martian Manhunter... I was so happy to see him. So much potential for so much more that could have been done but WB is being Aholes and not letting Zack continue. I love the movie... It was worth it and I am sad we won't get to see more. Thank for killing Justice League WB!
**So long but so incredible! DC Comics fans rejoice! As an average movie-goer, it might be a bit too long for you.** Wow! What could have been? This movie provided a master class on stunning visuals, character development, and world-building. It's shocking the disparity between the theatrical release and this movie. Surprisingly even after the 4 hour run time, I was left wanting more. The cast was superb at making these impervious characters with godlike power experience pain, loss, and emotion. The existence of this film is cinematic history in and of itself is a miracle. A director's cut with zero studio interference and such a drastic difference from the studio's original release ever seeing the light of day is astounding. And I am so glad it did. Zack Snyder's Justice League was a superhero epic that created a theatrical masterpiece worthy of DC's greatest heroes.
Some HBO Max subscribers were accidentally able to access, 10 days before its premiere, an hour of Zack Snyder's Justice League (2021) before the movie was cut off. This is not a bad strategy. An hour at a time of this gargantuan abomination is more than any thinking person can bear. ZSJL reminds me of Ambrose Bierce's famous book review; “The covers of this book are too far apart.” It doesn't help either that half the movie seems to occur in slow motion. Superman's quote-unquote death has resulted in the reactivation of the “Mother Boxes” and the appearance of Darkseid's servant Steppenwolf on Earth. Steppenwolf hails from Apokolips, a planet that exists on a different plane of existence from the regular DC Universe, in spite of which he speaks perfect English, and his name is a German word for an animal presumably found only on Earth. Steppenwolf retrieves a Mother Box from Themyscira, following a battle of incredible proportions – not because it involves mythological beings and alien deities, but because the world of the Amazons is almost entirely computer generated, its scenery only slightly more sophisticated than an Age of Empires screenshot. How can this movie ask us to believe in a place like Themyscira, when the film itself doesn't seem to have much faith in its existence? This is symptomatic of ZSJL, much of which takes place in a setting completely divorced from the real world – and my complaint is not that it's unrealistic, because ZSJL is fantasy after all; my problem is that it's not real. I mean, it's just not there. Other than as childhood wish fulfillment, true-blue superheroes are very hard – sometimes even impossible, as with the immortal, omnipotent Superman – to identify with or care about; their physical and moral perfection renders them boring and predictable. ZSJL makes it even harder by placing them in front of green/blue screens most of the time, constantly surrounded by wall-to-wall CGI, and unconvincingly engaging enemies who are literally an afterthought – digitally added in post-production, and very poorly at that. And speaking of characters that are nothing short of caricatures, there’s Flash (Ezra Miller). Barry Allen is annoying, irritating, obnoxious, insufferable, grating. He's like a very fast Jar Jar Binks. He's like the bastard son of Andy Dick and French Stewart. If he's so quick, why does it take him so long to get off my screen? All things considered, there's nothing here we haven't seen in Avengers. Darkseid is Thanos, the Mother Boxes are the Infinity Stones, Batman is Ironman, etc., etc. The one difference is that Zack Snyder's Justice League is, though I would not have thought it possible, longer and more boring than any Marvel movie. The only thing that alleviates the overwhelming oppressiveness are the brief interventions of Willem Dafoe and Jeremy Irons, whose considerable talents are wasted on this debacle.
Well, the Flash had a back story and one that made him turn out to be not the sniveling coward that he was in the first cut. And it didn't end with that horrible over-dramatic race between Superman and Batman to save more people. And it had more of a plot. So, in the end it's jut a much better movie than the steaming pile that was released... ... but you're not supposed to like it because Twitter, Hollywood, the left in general and the media that supports it have all come to the conclusion that fans are evil for being fan. And making a movie that the fans want makes you evil. And the goal is to make movies the fans don't want to see, lose money on it, get praise by critics and lots of Twitter Twits, and then blame the fans for not watching a movie that you didn't make for the fans and made widely announced that you didn't make it. But the fans demanded this, they wanted to see it, the demand caused the studio to release it, and when they did the fans came out to watch it and liked it. So, despite it being far better than the original (and far too long) you are supposed to hate it because of politics... even though there are no politics in the plot. And then there is the fact that it the first release only sucked because of heavy studio interference, and so you can't celebrate as a studio being smart enough to go back and make it better for the franchise, you have to condemn it because the studio can't overcome, because that would be admitting a mistake. You have to hate it, even thought it was pretty good and fantastic compared to the first attempt. So. I don't know, I just think the salvaging that train wreck and proving it can be something watchable is pretty impressive.
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