Movie basic details
Current status - Released
Total runtime - 110 mins.
Release date - 07-06-2024
Release year - 2024
Genres - Drama, Fantasy, Now Playing Movies
Overall ratings and scores for Tuesday:
Happiness Score - 6.7/10, World Popularity Score - 11.885/100, IMDB Score - 6.9, Metascore - N/A, Internet Movie Database - 6.9/10, Rotten Tomatoes - 82%, .
Tuesday movie has Total Global Votes - 3, Total IMD Votes - 128
Tuesday Movie Introduction: Movie Tuesday, release year 2023 is written by Daina Oniunas-Pusic and directed by Daina Oniunas-Pusic. The leading star-cast in this movie are Arinzé Kene, Lola Petticrew, Julia Louis-Dreyfus along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Nishanath Satyanarayana
Movie in-short: A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.
Movie story-line: A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.
Movie synopsis: A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.
Highlights - Tuesday (2024)
Total budget - $0.00
Total revenue - $637,590.00
Produced by - A24BBC FilmCinereachGingerbread PicturesRecord Player FilmsBFIWild Swim Films
Produced in - United KingdomUnited States of America
Available languages - English (English),
Homepage URL - https://a24films.com/films/tuesday
Awards won / Nominations - 1 nomination
Certificate(s) - US : R US : R
Lead Actors, Writer(s), Director(s) of Tuesday (2024)
Lead Actors - Arinzé Kene, Lola Petticrew, Julia Louis-Dreyfus
Writer(s) - Daina Oniunas-Pusic
Director(s) - Daina Oniunas-Pusic
Frequently Asked Questions(FAQ) about Tuesday (2024)
What is the release date of Tuesday (2024)?
Release date of Tuesday (2024) is 07-06-2024.
What is the total runtime of Tuesday (2024) in minutes?
Total runtime of Tuesday (2024) in minutes is 111 min.
What is the budget consumed to produce Tuesday (2024) movie?
The budget consumed to produce Tuesday (2024) movie is around $0.00.
How much revenue is expected from movie Tuesday (2024)?
Expected revenue from movie movie Tuesday (2024) is around $637,590.00.
What is the pupularity of Tuesday (2024)?
Worldwide pupularity of Tuesday (2024) movie is 11.885%.
What is the name of the production company of film Tuesday (2024)?
Production company of film Tuesday (2024) is/are A24, BBC Film, Cinereach, Gingerbread Pictures, Record Player Films, BFI, Wild Swim Films, .
Which country the film Tuesday (2024) is produced in?
Film production country for the film Tuesday (2024) is United Kingdom, United States of America, .
Which language the film Tuesday (2024) is produced in?
Film Tuesday (2024) is produced in English (English), language(s).
Which Genre the film Tuesday (2024) belongs to?
Movie Tuesday (2024) is categorized under Fantasy genre(s).
Who are the lead actors of the film Tuesday (2024)?
Lead actors of the film Tuesday (2024) are Arinzé Kene, Lola Petticrew, Julia Louis-Dreyfus.
Who is the writer of the film Tuesday (2024)?
The writer(s) of the film Tuesday (2024) is/are Daina Oniunas-Pusic.
Who is the director of the film Tuesday (2024)?
The director(s) of the film Tuesday (2024) is/are Daina Oniunas-Pusic.
Which awards, nominations and recognitions are won by Tuesday (2024) movie?
Movie Tuesday (2024) has 1 nomination awards and nomination in it's profile.
What is the story of Tuesday (2024) in-short?
Short plot of movie Tuesday (2024): A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird..
What is the full story of Tuesday (2024) movie?
Full plot of movie Tuesday (2024): A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird..
Where to find full details of Tuesday (2024) movie?
You can find the full details of movie Tuesday (2024) at https://www.imdb.com/title/tt14682800
Where to stream or watch movie Tuesday (2024) online?
You can stream or watch online movie Tuesday (2024) on .
List of full Starcast and crew members of Tuesday (2024)
Full Starcast:
Name: Julia Louis-Dreyfus
Character: Zora
Name: Lola Petticrew
Character: Tuesday
Name: Arinzé Kene
Character: Death
Name: Leah Harvey
Character: Nurse Billie
Name: Jay Simpson
Character: Spike
Name: Ellie James
Character: Willow
Name: Ewens Abid
Character: Abel
Name: Nathan Amzi
Character: Nathan
Name: Taru Devani
Character: Ira
Name: Nathan Ives-Moiba
Character: VictorName: Hugh Futcher
Character: HansName: Dan Shaw
Character: Yuri
Name: Justin Edwards
Character: JackName: Florencia Nunez
Character: Young Tuesday
Crew Members:
Name: Ivana MacKinnon
Department: Production
Job/Role: ProducerName: Helen Gladders
Department: Production
Job/Role: ProducerName: Oliver Roskill
Department: Production
Job/Role: Producer
Name: Daina Oniunas-Pusić
Department: Directing
Job/Role: DirectorName: Daina Oniunas-Pusić
Department: Writing
Job/Role: WriterName: Laura Ellis Cricks
Department: Art
Job/Role: Production DesignName: Jo Thompson
Department: Costume & Make-Up
Job/Role: Costume DesignName: Tracey Wells
Department: Costume & Make-Up
Job/Role: Makeup DesignerName: Amber Sibley
Department: Costume & Make-Up
Job/Role: Makeup SupervisorName: Robert K. Harm
Department: Production
Job/Role: Production ManagerName: Jeroen Bogaert
Department: Directing
Job/Role: First Assistant DirectorName: Giles Barron
Department: Directing
Job/Role: Second Assistant DirectorName: Amir Nazempour
Department: Directing
Job/Role: Third Assistant DirectorName: Sara Lima
Department: Sound
Job/Role: Sound MixerName: Tim Field
Department: Visual Effects
Job/Role: Visual Effects ProducerName: Mike Stillwell
Department: Visual Effects
Job/Role: Visual Effects SupervisorName: Anna Meredith
Department: Sound
Job/Role: Original Music Composer
Name: Alexis Zabe
Department: Camera
Job/Role: Director of PhotographyName: Arttu Salmi
Department: Editing
Job/Role: EditorName: Julie Harkin
Department: Production
Job/Role: CastingName: Tom Coates
Department: Art
Job/Role: Art DirectionName: Daniel Draper
Department: Art
Job/Role: Art DirectionName: Sarah Bick
Department: Art
Job/Role: Set DecorationName: Gunnar Óskarsson
Department: Sound
Job/Role: Supervising Sound EditorName: Gunnar Óskarsson
Department: Sound
Job/Role: Sound DesignerName: Ian Waggott
Department: Sound
Job/Role: Foley ArtistName: Andrew Stirk
Department: Sound
Job/Role: Sound Re-Recording MixerName: Adam Mendez
Department: Sound
Job/Role: Foley MixerName: Manav Kher
Department: Sound
Job/Role: ADR RecordistName: Sue Harding
Department: Sound
Job/Role: Foley ArtistName: Alan Freedman
Department: Sound
Job/Role: ADR MixerName: Ben Cross
Department: Sound
Job/Role: Foley MixerName: Emma Rawnsley
Department: Costume & Make-Up
Job/Role: Costume SupervisorName: Freddie Bonfanti
Department: Lighting
Job/Role: GafferName: Doug Walshe
Department: Camera
Job/Role: Steadicam OperatorName: Rae Hendrie
Department: Production
Job/Role: Casting Associate
Name: Andy Bennett
Department: Crew
Job/Role: Stunt CoordinatorName: Lisa Connell
Department: Crew
Job/Role: Stunt DoubleName: Andrew Simmonds
Department: Visual Effects
Job/Role: Visual Effects SupervisorName: Albert Testani
Department: Visual Effects
Job/Role: Visual Effects ProducerName: Lauren Holly Crockatt
Department: Art
Job/Role: Assistant Art Director
Name: Elliott Whitton
Department: Production
Job/Role: Executive ProducerName: Eva Yates
Department: Production
Job/Role: Executive ProducerName: Tim Field
Department: Production
Job/Role: Co-ProducerName: Tim Dennison
Department: Production
Job/Role: Line ProducerName: Philipp Engelhorn
Department: Production
Job/Role: Executive Producer
Movie Posters and Wallapapers - Tuesday (2024)
Reviews Section
Fables often make for intriguing storytelling and engaging cinematic experiences. And such is the case for the debut feature from writer-director Daina Oniunas-Pusic, a whimsical yet profound tale about the acceptance of death (or, more precisely, the ability to move beyond that and learn how to make friends with death). It’s told through the experience of 15-year-old Tuesday (Lola Petticrew), a terminally ill adolescent whose mother, Zora (Julia Louis-Dreyfus), is struggling to accept the inevitable. Zora looks for excuses to avoid spending time with her daughter, because she’s unable to face the impending truth. But, when death itself suddenly and unexpectedly appears to claim Tuesday, taking the form of a talking, shape-shifting parrot (voiced by Arinzé Kene), Zora’s hand is forced. Somewhat surprisingly, Tuesday reconciles herself to her fate rather easily and subsequently ends up spending most of her remaining time trying to help her mother understand the nature of what’s about to happen – and what will unfold if it doesn’t, consequences with larger implications. In doing so, the film gets into some deeply meaningful material, presenting insights that most of us probably have never considered, let alone explored, shedding an entirely new light on the essence of death, as well as the tremendous burden it has placed on its ornithological messenger. The result is a truly moving story, one that deftly mixes joy and sadness, pathos and humor, and anger and sympathy, not only for mother and daughter, but also for death itself and the wider world of which we’re all a part. The narrative certainly gives viewers much to contemplate, introducing notions that might well raise eyebrows and perhaps even ruffle a few feathers (no pun intended) for those accustomed to more conventional interpretations of this subject. But, in the end, the picture provides a fresh, more mature take on these concepts. Admittedly, the pacing sags a touch in the middle, and the flow of the story may seem somewhat strange or a tad unfocused at times. What’s more, some may question the reasoning behind why death appears as a talking parrot (but, then again, why should it necessarily take some of the more familiar forms we have seen in other stories, such as the grim reaper, for instance?). The film features fine performances, most notably the best screen work Louis-Dreyfus has ever turned in. It also respectfully recalls material presented previously in such perceptively prescient tales as the moving Australian comedy-drama “Baby Teeth” (2019) and the classic Twilight Zone episode “Nothing in the Dark” (1962) featuring a very young Robert Redford. Still, the premise may strike some as odd, absurd or implausible, but, then, when have fables, fairy tales or opera librettos ever faithfully stuck to the tried and true? Suspend your disbelief for this one, and sit back and immerse yourself in what it has to say. You may never look at death the same way ever again.
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