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made Wounds (2019) movie available in YE country/region to watch/stream online Netflix has made Wounds (2019) movie available in ZA country/region to watch/stream onlineMovie basic details
Current status - Released
Total runtime - 94 mins.
Release date - 26-01-2019
Release year - 2019
Genres - Horror, Mystery, Thriller
Overall ratings and scores for Wounds:
Happiness Score - 4/10, World Popularity Score - 10.806/100, IMDB Score - 4.1, Metascore - 51, Internet Movie Database - 4.1/10, Rotten Tomatoes - 47%, Metacritic - 51/100, .
Wounds movie has Total Global Votes - 697, Total IMD Votes - 19,785
Wounds Movie Introduction: Movie Wounds, release year 2019 is written by Babak Anvari, Nathan Ballingrud and directed by Babak Anvari. The leading star-cast in this movie are Armie Hammer, Zazie Beetz, Karl Glusman along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Anagha Shashank
Movie in-short: Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.
Movie story-line: Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.
Movie synopsis: Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.
Highlights - Wounds (2019)
Total budget - $0.00
Total revenue - $0.00
Produced by -
Produced in - United Kingdom
Available languages - English (English),
Homepage URL -
Awards won / Nominations - N/A
Certificate(s) - SG : M18
Lead Actors, Writer(s), Director(s) of Wounds (2019)
Lead Actors - Armie Hammer, Zazie Beetz, Karl Glusman
Writer(s) - Babak Anvari, Nathan Ballingrud
Director(s) - Babak Anvari
Frequently Asked Questions(FAQ) about Wounds (2019)
What is the release date of Wounds (2019)?
Release date of Wounds (2019) is 26-01-2019.
What is the total runtime of Wounds (2019) in minutes?
Total runtime of Wounds (2019) in minutes is 95 min.
What is the budget consumed to produce Wounds (2019) movie?
The budget consumed to produce Wounds (2019) movie is around $0.00.
How much revenue is expected from movie Wounds (2019)?
Expected revenue from movie movie Wounds (2019) is around $0.00.
What is the pupularity of Wounds (2019)?
Worldwide pupularity of Wounds (2019) movie is 10.806%.
What is the name of the production company of film Wounds (2019)?
Production company of film Wounds (2019) is/are .
Which country the film Wounds (2019) is produced in?
Film production country for the film Wounds (2019) is United Kingdom, .
Which language the film Wounds (2019) is produced in?
Film Wounds (2019) is produced in English (English), language(s).
Which Genre the film Wounds (2019) belongs to?
Movie Wounds (2019) is categorized under Drama, Horror, Mystery genre(s).
Who are the lead actors of the film Wounds (2019)?
Lead actors of the film Wounds (2019) are Armie Hammer, Zazie Beetz, Karl Glusman.
Who is the writer of the film Wounds (2019)?
The writer(s) of the film Wounds (2019) is/are Babak Anvari, Nathan Ballingrud.
Who is the director of the film Wounds (2019)?
The director(s) of the film Wounds (2019) is/are Babak Anvari.
Which awards, nominations and recognitions are won by Wounds (2019) movie?
Movie Wounds (2019) has N/A awards and nomination in it's profile.
What is the story of Wounds (2019) in-short?
Short plot of movie Wounds (2019): Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar..
What is the full story of Wounds (2019) movie?
Full plot of movie Wounds (2019): Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar..
Where to find full details of Wounds (2019) movie?
You can find the full details of movie Wounds (2019) at https://www.imdb.com/title/tt5913798
Where to stream or watch movie Wounds (2019) online?
You can stream or watch online movie Wounds (2019) on Netflix, Netflix basic with Ads, RTL Play, Hulu, Redbox, .
List of full Starcast and crew members of Wounds (2019)
Full Starcast:
Name: Armie Hammer
Character: Will
Name: Dakota Johnson
Character: Carrie
Name: Zazie Beetz
Character: Alicia
Name: Brad William Henke
Character: Eric
Name: Karl Glusman
Character: Jeffrey
Name: Christin Rankins
Character: Mary
Name: Ben Sanders
Character: Jason
Name: Alexander Biglane
Character: Garrett
Name: Matthew Underwood
Character: Eric's Friend
Name: Oren Hawxhurst
Character: Marwin
Name: Kerry Cahill
Character: Rosie
Name: Ritchie Montgomery
Character: Italian American Man
Name: Terence Rosemore
Character: Duane Cross
Name: Jim Klock
Character: Patrick
Name: Martin Bats Bradford
Character: Doug
Name: Creek Wilson
Character: Scotty
Name: Lawrence Turner
Character: Willard
Name: Xena Zeit-Geist
Character: Tattooed Woman
Name: Kermit Burns III
Character: Young Man
Name: Kevin Beard
Character: Man in bar (uncredited)
Name: Kenneth Kynt Bryan
Character: Tourist (uncredited)
Name: Michael Collier
Character: Steve (uncredited)
Name: Lola Hazim
Character: Sash (uncredited)
Name: Cami Roebuck
Character: College Girl #2 (uncredited)
Crew Members:
Name: Adele Plauche
Department: Art
Job/Role: Set Designer
Name: Mark Bennett
Department: Production
Job/Role: Casting
Name: Kevin Beard
Department: Crew
Job/Role: Stunt Coordinator
Name: Gregg Brazzel
Department: Crew
Job/Role: Stunt Driver
Name: Chad Keith
Department: Art
Job/Role: Production Design
Name: Meagan McLaughlin
Department: Costume & Make-Up
Job/Role: Costume Design
Name: Adam Willis
Department: Art
Job/Role: Set Decoration
Name: Megan Ellison
Department: Production
Job/Role: Executive Producer
Name: Roland Heap
Department: Sound
Job/Role: Sound Re-Recording Mixer
Name: Babak Anvari
Department: Directing
Job/Role: Director
Name: Babak Anvari
Department: Production
Job/Role: Producer
Name: Babak Anvari
Department: Writing
Job/Role: Writer
Name: Kit Fraser
Department: Camera
Job/Role: Director of Photography
Name: Chelsea Bruland
Department: Crew
Job/Role: Stunt Driver
Name: Lucan Toh
Department: Production
Job/Role: Producer
Name: Tiffany Tavares
Department: Directing
Job/Role: Script Supervisor
Name: Meagan Lewis
Department: Production
Job/Role: Location Casting
Name: Michele K. Short
Department: Camera
Job/Role: Still Photographer
Name: Marc Specter
Department: Sound
Job/Role: Dialogue Editor
Name: Natalie Christine Johnson
Department: Costume & Make-Up
Job/Role: Key Makeup Artist
Name: Brooke Lyndon-Stanford
Department: Visual Effects
Job/Role: Visual Effects Supervisor
Name: Anna Sulley
Department: Sound
Job/Role: Foley Recordist
Name: Jillian Longnecker
Department: Production
Job/Role: Executive Producer
Name: Michael Applebaum
Department: Camera
Job/Role: Camera Operator
Name: Kevin C. Lang
Department: Art
Job/Role: Art Direction
Name: Christopher Barwell
Department: Editing
Job/Role: Editor
Name: Vicki Vacca
Department: Costume & Make-Up
Job/Role: Key Makeup Artist
Name: Crystal Wells
Department: Costume & Make-Up
Job/Role: Hair Department Head
Name: Rodney Williamson
Department: Costume & Make-Up
Job/Role: Set Costumer
Name: Peter A. Chevako
Department: Visual Effects
Job/Role: Mechanical Designer
Name: Tom McComas
Department: Crew
Job/Role: Stunt Double
Name: Brian Pitt
Department: Production
Job/Role: Executive Producer
Name: Ted Barba
Department: Crew
Job/Role: Stunt Driver
Name: Becky Bentham
Department: Sound
Job/Role: Music Supervisor
Name: Paulo DeFreitas Jr.
Department: Art
Job/Role: Storyboard Artist
Name: Zac Frognowski
Department: Crew
Job/Role: Thanks
Name: Ashley Treadaway
Department: Costume & Make-Up
Job/Role: Makeup Department Head
Name: Jamie Gamache
Department: Sound
Job/Role: Foley Editor
Name: Jamie Gamache
Department: Sound
Job/Role: Foley Recordist
Name: Karolina Jedrzejczyk
Department: Sound
Job/Role: Foley Artist
Name: Simon Haupt
Department: Sound
Job/Role: Sound Effects Editor
Name: Jennifer Jane
Department: Costume & Make-Up
Job/Role: Key Hair Stylist
Name: Theresa Hernandez
Department: Production
Job/Role: Casting Associate
Name: Laurie Fewell
Department: Art
Job/Role: Painter
Name: Angela Gail Schroeder
Department: Art
Job/Role: Set Decoration Buyer
Name: Jack Bigelow
Department: Sound
Job/Role: Boom Operator
Name: Jimi Woods
Department: Production
Job/Role: Location Manager
Name: Andrew Harvey
Department: Production
Job/Role: Executive Producer
Name: Niko Zahlten
Department: Art
Job/Role: Property Master
Name: Christopher Kopp
Department: Production
Job/Role: Producer
Name: Liam Cullen-Brooks
Department: Crew
Job/Role: Thanks
Name: Nathan Ballingrud
Department: Writing
Job/Role: Author
Name: Robert C. Bigelow
Department: Sound
Job/Role: Sound Mixer
Name: Joe Hagg
Department: Costume & Make-Up
Job/Role: On Set Dresser
Name: Kelly Sweeney
Department: Art
Job/Role: Set Dresser
Name: Kobi Quist
Department: Sound
Job/Role: Sound Re-Recording Mixer
Name: Claudia Sanchez Torres
Department: Sound
Job/Role: Sound Assistant
Name: James Langdon
Department: Lighting
Job/Role: Electrician
Name: Eduardo Urueña
Department: Lighting
Job/Role: Rigging Grip
Name: Nick Kramer
Department: Lighting
Job/Role: Best Boy Electric
Name: John Richie
Department: Camera
Job/Role: Second Assistant Camera
Name: Edward Hewitt Jr.
Department: Production
Job/Role: Casting Assistant
Name: Heidi Bannon
Department: Costume & Make-Up
Job/Role: Set Costumer
Name: Heidi Bannon
Department: Costume & Make-Up
Job/Role: Costumer
Name: Emma Villere
Department: Costume & Make-Up
Job/Role: Key Costumer
Name: Bobby Masson
Department: Art
Job/Role: Location Scout
Name: Sean T. Daily
Department: Crew
Job/Role: Thanks
Reviews Section
This is what happens when filmmakers are more fascinated by imagery and concept but don't know how to couch them in a story. Armie Hammer is Will, a bartender in a New Orleans bar who witnesses a fight break out one night while some college kids are in the bar (seemingly unrelated). The kids leave behind one of their phones, which contains disturbing images. All the while, his girlfriend Carrie, played by Dakota Johnson, seems to be studying occult Gnosticism, which seems to be related to what the college kids are involved in. If you're looking for any kind of payoff in this film, you're going to be sorely disappointed. Literally, this film has no payoff. It’s more just a bunch of stuff that happens and then, BAM!, end credits. There are times that it seems like it’s going somewhere. In fact, it felt like there should have been much more interrelated stuff between different parts of the movie, such as Claire’s professor, Steve, being more developed. In fact, I definitely get the impression that this was supposed to be the case, but that it either ended up on the cutting room floor or remained concept-only. It’s possible that this happens in “The Visible Filth,” the short novel on which this movie is based, but since I haven’t read it I can’t comment on it. The film we get is not a good film, either. The acting alternates between melodramatic and completely emotionless with no inbetween. Seriously, Brad William Henke is so over-the-top, he makes Jeremy Irons look like he was on Xanax during the “Dungeons & Dragons” movie. Dakota Johnson just sleepwalks through her entire role. Armie Hammer feels like he tries a little too hard to be the everyman. The only actor that seemed believable with genuine subtlety in their role is Zazie Beetz, but her character is pretty much superfluous to the proceedings. Her character could have been cut with little to no change to the plot. What’s so terrible about this film, though, is the sheer frustration factor. It’s a great idea. I would have loved to see more and have the movie cleaned up to be more cohesive and have an actual payoff. But we’re denied all of this. I love the concept of basing a film around occult Gnosticism. However, it’s set in such a poor movie that by the end, I found myself wringing my hands less out of fear or feelings of bugs crawling on you (which you might get) and more out of frustration for failure to realize its potential and seeing very easily how it could have been saved. When you’re doing the filmmakers work for them, they’ve got a problem.
Millenial Armie Hammer, calls a group of Gen Z-ers, "Fucking Millenials". I was **really** disappointed with _Wounds_. Not about the above, just like... In general. _Final rating:★½: - Boring/disappointing. Avoid where possible._
Wounds adds salt to the horrific lacerations by simply doing nothing with its premise. Metaphysical tears in a relationship, ‘The Visible Filth’, can deteriorate the mind and the soul of both individuals. The streams of sorrow and regret, taking control of thoughts and actions. An unfortunate circumstance that is experienced by the most enraptured of couples. So I’m somewhat confused. No wait, I’m terribly befuddled. Anvari previously directed an apparent debut horror masterpiece with ‘Under the Shadow’ (I’ve yet to see it...), and decided to venture into the Hollywood mainstream with this psychological mess. Only one question overwhelmed my brain during the final cockroach-infested scene: “What. In the actual. Heck?”. A bartender breaks up a brawl and picks up a lost mobile phone that was left by some underaged students. He happens to guess the password on his second attempt based on the screen smudges and slowly becomes possessed by something from the “tunnel”. The titular metaphor is one that requires little to no effort in depicting. Wounds in a relationship force the participants to become distant and more aggressive. That much is clear, and Anvari sets a melodramatic tone from the initial bar sequence that overpowers the “horror” elements. Then Hammer grabs the mobile phone, tests its durability by slamming it a decent six times throughout the film, and thus begins the narrative collapse. Irrefutably, without batting an eyelid, I can confidently say nothing happened in this feature. Absolutely zero progression. The final minute of filming replicated the initial minute in terms of development. Every single character was unlikeable. Every single jump scare was a bloodshot eye flashing on the screen in rapid succession accompanied by a piercing noise. The plot is near incomprehensible due to forced underdeveloped horror elements that had no resonation with the melodramatic moments. Gnostic rituals? Dimensional portal from a well-rounded man’s face? Profusely sweaty armpits? Thematically and literarily, the plot is nullified by unintelligent tendencies that irritate this wounded flick. Such a stellar cast wasted on a potboiler script. Hammer deserves better. Beetz deserves better. Johnson definitely deserves better. I’m at a loss. I really am. The inexplicable character choices, from refusing to hand the phone to the police to even unlocking the device in the first place, left me facepalming on multiple occasions. Oh, and serving underaged persons. Come on! The plot conveniences that make little to no sense, from the unexplained students in this cultish circle to the entire final five minute idiocy, hampered the psychological examination of a broken relationship. Is anything actually explained? I shan’t know as I drifted in and out of sleep for the conclusive thirty minutes. The amount of alcohol consumption? Adultery? Stealing? There really is nothing to admire here. A huge misfire for Anvari that has cemented this VOD original securely as one of the worst of the year. It was over an hour and a half yet it felt like three hours. That, in itself, has wounded me. The recovery will be long and arduous...
This is trash horror done really well. If you're looking for something meaningful, you're looking in the wrong place, but it's got some laudable artistry behind it.
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