Movie basic details
Current status - Released
Total runtime - 95 mins.
Release date - 27-10-1969
Release year - 1969
Genres - Comedy
Overall ratings and scores for A Penúltima Donzela:
Happiness Score - 5.7/10, World Popularity Score - 0.6/100, IMDB Score - 7.4, Metascore - N/A, Internet Movie Database - 7.4/10, .
A Penúltima Donzela movie has Total Global Votes - 3, Total IMD Votes - 34
A Penúltima Donzela Movie Introduction: Movie A Penúltima Donzela, release year 1969 is written by Fernando Amaral, Jorge Dória, Paulo César Peréio and directed by Fernando Amaral. The leading star-cast in this movie are Adriana Prieto, Paulo Porto, Carlo Mossy along with the other stars and crew members.
Trailers, Clips, Featurettes and Behind the Scenes
Movie overview and plot by Anagha Shashank
Movie in-short: N/A
Movie story-line: A young women from a conservative family loses her virginity to her boyfriend who dumps her after. She starts a new relationship, but when her parents find out she has been "ruined" they try to arrange a marriage with the first boyfriend.
Movie synopsis: Intelligent, beautiful Tania, presumably the next-to-the-last virgin left in Rio in 1969, is checking things out. She attends college and works for a fashion magazine. She has a cute boyfriend belonging to the same social class. Tania also has very conservative parents. Her dad obsesses about the "Russian influence" which is tearing down the sacredness of the family. But despite his watchfulness, he is heading for his own family crisis.The trouble - and comedy - starts when Tania begins to question the mores and morals of her conservative upbringing. She sneaks out in a bikini. She dabbles in leftist politics. She calls her boyfriend out for sleeping with "other" girls out of respect for her. And, most importantly to the plot, she has a fling with an older guy - Oswaldo- a photographer for the magazine.Yet it's not just the conservatism that gets the old poke in the ribs. Through Tania's eyes, we see various societal incongruities: her hip boyfriend won't go to the movies because he "doesn't like Brazilian cinema." A young intellectual tries to seduce a girl on the beach by spouting feminist rhetoric. (Although the girl mistakes Simone de Bouvouir for a TV personality, she easily counters the guy's rationale for premarital sex by pointing out that Bouvouir was married to Sartre.) Tania's school friends mock the photographer because he's "old." And a relative, brought in to help Tania's family weather the crisis, questions the family's move to Rio and says "this never would have happened in Belo Horizante." There is a subtle theme in the movie of looking deeply at the things we take for granted. Oswaldo shows Tania how to use a camera and she is fascinated by taking close-ups of nature, such as leaves and spider webs. In " A Penultima Donzela", images speak louder than words. As Tania crosses a plaza, she sees a street photographer's stand with examples of his work, which are rather crude and almost like those in an automated picture booth. We"know" that the photographs don't simply remind Tania of Oswaldo; she is also acknowledging a new sophistication in herself that her relationship with Oswaldo has precipitated. The title for this movie is clever - the word "donzela" is an old one that formerly referred to a maiden of noble birth; but in its modern usage it means a virgin. There is another level to the title - although Tania loses her virginity, she remains innocent and therefore "noble" by rejecting the hypocrisy surrounding her.It is touching and interesting that when Tania's little brother had a nightmare about the Russians, his father comforts him by saying that there are no Russians. Tania's father can perhaps be forgiven for fearing the Russians, because the whole country was under a military dictatorship for years due to real or manufactured fears of communism. It's hard to believe that this film was made during the heyday of the dictatorship because there was tight censorship of all mass communication and art (which effectively made all art political). In what is perhaps the most ironic scene, Tania's dad imagines Russian communists holding his daughter down and torturing her. Yet in reality, torture was a systematic and daily function of the Brazilian government, justified by the threat of communism.Many popular songs during the dictatorship slipped under the censor's by seeming to be about a woman, yet actually referring to Brazil. In a way, I can see Tania as a symbol of a Brazil ready to emerge from military repression. See this movie if you get a chance! Even if you're not as obsessed with Brazil as I am (hence the rambling commentary) I believe you will love this film because it works beautifully as a comedy and its themes are universal. The acting is wonderful. The music by Egberto Gismonti is quite beautiful and haunting : it is elegant, tense and soaring by turns.
Highlights - A Penúltima Donzela (1969)
Total budget - $0.00
Total revenue - $0.00
Produced by - Produções Cinematográficas R.F. Farias
Produced in - Brazil
Available languages - Portuguese (Português),
Homepage URL -
Awards won / Nominations - N/A
Certificate(s) -
Lead Actors, Writer(s), Director(s) of A Penúltima Donzela (1969)
Lead Actors - Adriana Prieto, Paulo Porto, Carlo Mossy
Writer(s) - Fernando Amaral, Jorge Dória, Paulo César Peréio
Director(s) - Fernando Amaral
Frequently Asked Questions(FAQ) about A Penúltima Donzela (1969)
What is the release date of A Penúltima Donzela (1969)?
Release date of A Penúltima Donzela (1969) is 27-10-1969.
What is the total runtime of A Penúltima Donzela (1969) in minutes?
Total runtime of A Penúltima Donzela (1969) in minutes is 95 min.
What is the budget consumed to produce A Penúltima Donzela (1969) movie?
The budget consumed to produce A Penúltima Donzela (1969) movie is around $0.00.
How much revenue is expected from movie A Penúltima Donzela (1969)?
Expected revenue from movie movie A Penúltima Donzela (1969) is around $0.00.
What is the pupularity of A Penúltima Donzela (1969)?
Worldwide pupularity of A Penúltima Donzela (1969) movie is 0.6%.
What is the name of the production company of film A Penúltima Donzela (1969)?
Production company of film A Penúltima Donzela (1969) is/are Produções Cinematográficas R.F. Farias, .
Which country the film A Penúltima Donzela (1969) is produced in?
Film production country for the film A Penúltima Donzela (1969) is Brazil, .
Which language the film A Penúltima Donzela (1969) is produced in?
Film A Penúltima Donzela (1969) is produced in Portuguese (Português), language(s).
Which Genre the film A Penúltima Donzela (1969) belongs to?
Movie A Penúltima Donzela (1969) is categorized under N/A genre(s).
Who are the lead actors of the film A Penúltima Donzela (1969)?
Lead actors of the film A Penúltima Donzela (1969) are Adriana Prieto, Paulo Porto, Carlo Mossy.
Who is the writer of the film A Penúltima Donzela (1969)?
The writer(s) of the film A Penúltima Donzela (1969) is/are Fernando Amaral, Jorge Dória, Paulo César Peréio.
Who is the director of the film A Penúltima Donzela (1969)?
The director(s) of the film A Penúltima Donzela (1969) is/are Fernando Amaral.
Which awards, nominations and recognitions are won by A Penúltima Donzela (1969) movie?
Movie A Penúltima Donzela (1969) has N/A awards and nomination in it's profile.
What is the story of A Penúltima Donzela (1969) in-short?
Short plot of movie A Penúltima Donzela (1969): N/A.
What is the full story of A Penúltima Donzela (1969) movie?
Full plot of movie A Penúltima Donzela (1969): Intelligent, beautiful Tania, presumably the next-to-the-last virgin left in Rio in 1969, is checking things out. She attends college and works for a fashion magazine. She has a cute boyfriend belonging to the same social class. Tania also has very conservative parents. Her dad obsesses about the "Russian influence" which is tearing down the sacredness of the family. But despite his watchfulness, he is heading for his own family crisis.The trouble - and comedy - starts when Tania begins to question the mores and morals of her conservative upbringing. She sneaks out in a bikini. She dabbles in leftist politics. She calls her boyfriend out for sleeping with "other" girls out of respect for her. And, most importantly to the plot, she has a fling with an older guy - Oswaldo- a photographer for the magazine.Yet it's not just the conservatism that gets the old poke in the ribs. Through Tania's eyes, we see various societal incongruities: her hip boyfriend won't go to the movies because he "doesn't like Brazilian cinema." A young intellectual tries to seduce a girl on the beach by spouting feminist rhetoric. (Although the girl mistakes Simone de Bouvouir for a TV personality, she easily counters the guy's rationale for premarital sex by pointing out that Bouvouir was married to Sartre.) Tania's school friends mock the photographer because he's "old." And a relative, brought in to help Tania's family weather the crisis, questions the family's move to Rio and says "this never would have happened in Belo Horizante." There is a subtle theme in the movie of looking deeply at the things we take for granted. Oswaldo shows Tania how to use a camera and she is fascinated by taking close-ups of nature, such as leaves and spider webs. In " A Penultima Donzela", images speak louder than words. As Tania crosses a plaza, she sees a street photographer's stand with examples of his work, which are rather crude and almost like those in an automated picture booth. We"know" that the photographs don't simply remind Tania of Oswaldo; she is also acknowledging a new sophistication in herself that her relationship with Oswaldo has precipitated. The title for this movie is clever - the word "donzela" is an old one that formerly referred to a maiden of noble birth; but in its modern usage it means a virgin. There is another level to the title - although Tania loses her virginity, she remains innocent and therefore "noble" by rejecting the hypocrisy surrounding her.It is touching and interesting that when Tania's little brother had a nightmare about the Russians, his father comforts him by saying that there are no Russians. Tania's father can perhaps be forgiven for fearing the Russians, because the whole country was under a military dictatorship for years due to real or manufactured fears of communism. It's hard to believe that this film was made during the heyday of the dictatorship because there was tight censorship of all mass communication and art (which effectively made all art political). In what is perhaps the most ironic scene, Tania's dad imagines Russian communists holding his daughter down and torturing her. Yet in reality, torture was a systematic and daily function of the Brazilian government, justified by the threat of communism.Many popular songs during the dictatorship slipped under the censor's by seeming to be about a woman, yet actually referring to Brazil. In a way, I can see Tania as a symbol of a Brazil ready to emerge from military repression. See this movie if you get a chance! Even if you're not as obsessed with Brazil as I am (hence the rambling commentary) I believe you will love this film because it works beautifully as a comedy and its themes are universal. The acting is wonderful. The music by Egberto Gismonti is quite beautiful and haunting : it is elegant, tense and soaring by turns..
Where to find full details of A Penúltima Donzela (1969) movie?
You can find the full details of movie A Penúltima Donzela (1969) at https://www.imdb.com/title/tt0228708
Where to stream or watch movie A Penúltima Donzela (1969) online?
You can stream or watch online movie A Penúltima Donzela (1969) on .
List of full Starcast and crew members of A Penúltima Donzela (1969)
Full Starcast:
Name: Adriana Prieto
Character: Tania
Name: Paulo Porto
Character: Osvaldo
Name: Carlo Mossy
Character: Pedro
Name: Fregolente
Character:
Name: Djenane Machado
Character:
Name: Flávio Migliaccio
Character:
Name: Henriqueta Brieba
Character:
Crew Members:
Name: José Rosa
Department: Crew
Job/Role: Cinematography
Name: Rafael Justo Valverde
Department: Editing
Job/Role: Editor
Name: Jorge Dória
Department: Writing
Job/Role: Writer
Name: Paulo César Peréio
Department: Writing
Job/Role: Writer
Name: Reginaldo Faria
Department: Production
Job/Role: Producer
Name: Fernando Amaral
Department: Directing
Job/Role: Director
Name: Fernando Amaral
Department: Writing
Job/Role: Writer
Name: Paulo Porto
Department: Writing
Job/Role: Writer
Name: Egberto Gismonti
Department: Sound
Job/Role: Music
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